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[영작문]폭풍의 언덕, Wuthering Heights

The Wuthering Heights is such a strange and painful book. It is a story of love, but there is no simple love story with a happy ending. We have the protagonist, Heathcliff, who acts more like a villain, and the heroine, who dies halfway through the book. Even worse, their love is never realized here on earth. Instead, through Chapters 3, 6, and 9, we see a love story that is greater than our physical world. In those chapters, Emily Bronte gives the readers a series of dreams, where the readers can find a painful yet powerful love, that of a spiritual bond between Catherine and Heathcliff.Chapter 3 serves to introduce such supernatural element of their love. It begins as Lockwood, a minor character, is stranded at Wuthering Heights by a storm. The atmosphere, with its “desolate and forlorn scene,” gives hints that the story isn’t going to be very cheerful. Lockwood falls asleep and has a nightmare, in which he is awakened by a tapping sound on the window. As he tries to open the window and break off a branch, he is horrified to find a chilly hand. A voice sobs, “Let me in,” and when Lockwood asks who it is, the voice replies, “Catherine Linton, I’m home.” When Heathcliff hears about the dream, he bursts into tears, crying out, “Come in! come in! Cathy, do come. Oh do – once more! Oh! My heart’s darling, hear me this time – Catherine, at last!” Here, the dream becomes one with the reality. Lockwood’s dream, it seems, is Heathcliff’s ultimate passion, and Heathcliff obviously believes that Catherine is trying to come to him even after her death.It is in Chapter 9 that the spiritual bond between Catherine and Heathcliff is shown the most clearly. Catherine has accepted Edgar Linton’s proposal, but she confesses it would be against her heart. Then Catherine relates a dream in which she thought she was in heaven, but she was so miserable that when the angels threw her back down, she became utterly happy. “I’ve no more business marrying Edgar Linton than I have to be in heaven,” she said. From this dream, we find a powerful symbolism where Catherine compares the heaven to elegant Linton, with whom she will be miserable, and the moors to unrefined Heathcliff, with whom she will be happier. Heaven is eventually where she will have to be, but it appears that she would rather desire to give it up for Heathcliff’s love. In this chapter, Catherine also confesses how much she loves Heathcliff, “not because he’s handsome… but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same.” Again, we can clearly see that the two are spiritual soulmates.Finally, in Chapter 12, Catherine falls sick and has several delusional dreams. She sees feathers that remind her of the days she spent with Heathcliff. Then she sees a face in the mirror. She imagines Heathcliff is with her, and she tells him that she will never lie in peace even when she is dead. “I’ll not lie there by myself; they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!” Again, the dreams are a reflection of the spiritual love between the two characters. Also, by stating that even death will not separate her from Heathcliff, Catherine takes us back to the appearance of her as a ghost in Chapter 3. This chapter again shows how their love, although it can not materialize in this life, will continue even after death.Love is the only thing that never changes in the book Wuthering Heights. While everything else, such as hatred, jealousy, or ambition, all fade away, the love between Catherine and Heathcliff remains beyond death. Through dreams, Emily Bronte has shown how their spiritual love remains connected past the passage of time.

독후감/창작| 2012.07.02| 2페이지| 2,500원| 조회(101)

폭풍의 언덕, 에밀리 브론테, Wuthering Heights, 폭풍의 언덕 ..

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[영작문] Forgiveness by Rebecca brown

Professor Aimee RecordENG 2011 August 2011Illusion of ForgivenessIt is never so easy to truly forgive someone. If such situation has arisen where one is in a position to forgive another, it typically means that the latter has committed a grave mistake or offense, and as a result, the former has been exposed to certain physical or emotional injuries. Memories of such wound and agony have a lingering effect and are nearly impossible to erase. The forgiver, even if he or she is willing to forgive or has already forgiven the offender, must cope at times with flashbacks of pain and anger. Rebecca Brown’s short story “Forgiveness” is a clear example of how difficult it is to forgive and how true and lasting forgiveness might just be an illusion. Forgiveness may be a virtue, but in reality, it is variable and requires a constant internal struggle on the part of the forgiver, trying to move beyond the injury that still hurts.In “Forgiveness”, the narrator is missing an arm – not because of some birth defect or accident, but because she promises to give it to her lover, who bronzes the amputated arm and eventually loses it. This basic storyline may be quite eerie and unrealistic, but the author captures with penetrating clarity the psychological development of the narrator, who initially tries to cope with the injury and forgive her silly lover. “Together,” says the narrator, “we were valiant, brave and stoic.” (Brown 1) The narrator sleeps on the couch because she does not want her bleeding to bother her lover, and she does not blame her lover when her lover leaves her. Even when she misses her arm, she tries to hide it, because “I didn't want to make you feel bad and I didn't want you to think I wanted you to feel bad.” (Brown 1) The narrator also tries to justify her lover’s action as if it were a test and works hard to put up a happy appearance. She seems to have wholeheartedly forgiven her lover. The narrator’s denial of her pain reaches its peak when she claims, “My beautiful empty sleeve and I were friends, like intimates…So everything was fine.” (Brown 2)Yet, everything was not fine, and not everything could be forgiven. After all her efforts to overcome her misery, when the lover comes back, old wounds of resentment simply opens up. She “wanted things to stay forgot,” because she had now learned to live with her one arm and had convinced herself that she was okay (Brown 2). Nevertheless, when her lover breaks down one day, apologizing and asking for forgiveness, when that moment finally arrives for her to truly forgive, she does not. Instead, the narrator demands to know the reason why the lover cut off her arm, and when the lover does not answer, she turns furious. All this time, she has displayed great willingness to forgive and make peace with her lover and also to move on with her life. But underneath all that charade of self-denial was a stream of unremitting bitterness which could sweep over her at any moment. Nothing captures the narrator’s resentful sentiments better than the last line, where she says, “[I would] never forget what you've done to me… [and] I'll never believe the myth of forgiveness between us.” (Brown 3)Unless one is a saint or a fool, the memories of pain and suffering that may lead to forgiveness cannot be easily prevailed or forgotten. Especially if the remnants of the pain and suffering are nearby, like the missing arm in the case of the narrator in “Forgiveness”, true and permanent forgiveness may just be unattainable. In other words, forgiveness is a tool with which the injured hopes to seal up the sour wound and carry on the daily burden, but as Rebecca Brown illustrates, in reality, forgiveness is an illusory mechanism making cover for the enduring resentment.Kim 2Kim 1

독후감/창작| 2012.07.02| 2페이지| 2,500원| 조회(122)

영작문, 에세이, 영문 에세이, 영작 에세이, forgiveness, rebecc..

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[영작문] 레이디 맥베스에 관한 에세이

Is Lady Macbeth a fourth witch?In William Shakespeare’s Macbeth, the play begins as three witches enter the stage with “thunder and lightning”. The atmosphere, with its “fog and filthy air,” gives hints to a dark mystery about to happen. Indeed, a tragedy follows, as the witches’ prophecy drives the main character, Macbeth, to murder his king, Duncan. Yet, Macbeth could not have carried out the evil act by himself. It is only with his wife’s urging and help that he is able to kill the king. Lady Macbeth, it seems, is the fourth witch.When the three witches tell him that he “shalt be King hereafter,” Macbeth thinks about his future and is shocked by the “horrible imaginings” of having to murder Duncan. Macbeth therefore decides to let his fate take its natural course. As Lady Macbeth describes him, Macbeth is “too full of the milk of human kindness.” However, Lady Macbeth is different. Her connection to the three witches becomes visible when Lady Macbeth begs to the “spirits that tend on mortal thoughts” to fill her with “direst cruelty” and “”make thick [her] blood.” She wants no remorse or peace until Duncan is killed and her husband becomes the King.After Duncan arrives at his castle, Macbeth again debates with himself whether to kill Duncan or not. Then Lady Macbeth enters, disturbed by her husband’s excuses and inaction. She call him a “coward in [his] own esteem…like the poor cat i’ the adage,” and swears that she would even kill her baby if she must. Moreover, she already has a plan on how to kill Duncan that will put all the blame on Duncan’s guards. With her strong words and wicked plan, Lady Macbeth finally convinces her husband to perform the evil task. Also, when Macbeth forgets to leave the murder weapon next to the guards, it is Lady Macbeth who goes back to the crime scene, butchers Duncan’s body, and smears the blood on the guards.Lady Macbeth is truly a monster in disguise. She successfully manipulates her husband to murder their king but shows no signs of guilt. She performs all these acts of evil while remaining innocent on the surface. To Macbeth, she is his “dearest partner,” and to Duncan, she is the “fair and noble hostess.” What a witch!

독후감/창작| 2012.07.02| 2페이지| 2,000원| 조회(212)

Macbeth, 맥베스, 레이디 맥베스, lady macbeth, 레이디 맥베스..

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[정보화의 악영향] 정보화의 부정적 영향

엄청난 정보화의 물결은 우리에게 생활의 편리와 삶의 질이 향상되는 것 등과 같은 많은 장점을 가져다 주었습니다. 그러나 보이지 않는 수많은 악 영향을 던져주기도 하였습니다. 하지만 정보화의 당사자인 우리는 그것을 직접적으로 경험하지 않는 이상 악영향을 생각하지는 못하고 단지 좋은 점만을 생각하며 사용하고 있는 것 같습니다. 그래서 저는 정보화의 부정적 영향을 말하려고 합니다.정보화의 악 영향으로는 제일 먼저 컴퓨터의 부정적인 사용, 즉 컴퓨터 범죄가 있습니다. 그 실 예로는 데이터내용이나 데이터 프로그램의 부정 조작의 경우가 있는데, 1973년의 아파트 부정 당첨 사건 같은 것이 있습니다. 최근에는, 단순 금융사고 이외에도 부정입학·불법복제 비밀장부 등 점차 다양한 유형의 범죄에 컴퓨터가 악용되며, 1994년 가을에는 영국의 컴퓨터 해커가 국제통신망을 통하여 국내 연구소의 컴퓨터에 침입하여 내부자료 내용을 절취해 간 사건이 발생하기도 하였습니다.정보화의 악 영향으로는 또, 사무 자동화를 초래하여 공장 근로자 같은 사람들에게 실업에 대한 불안감을 안겨줄 수 있으며, 실제로 모든 일을 컴퓨터가 처리하는 일이 발생할 수 있습니다. 그리고 정보화가 만든 거대한 데이터 베이스는 개인의 사생활 침해를 할 수 있습니다. 이것은, 우리가 어느 사이트에 가입 할 때, 개인 정보를 입력하게 되어 있는데, 여기서 개인의 취미나, 주소, 가족사항 등을 알아 낼 수 있는 것이며, 개인의 E-메일 주소를 알아내어서 대규모 스팸 메일을 날리는 것이 요즘 큰 문제가 되기도 하였습니다.이러한 정보화 사회의 역기능의 대책으로는 먼저 교육적 측면에서 정규 교육 과정에서 정보화 윤리교육을 시행하고, 제도적 측면으로는 엄격한 제도적인 장치가 필요 할 것입니다. 보안수칙을 제정하고, 중요 기밀사항을 다루는 작업은 전산망과 격리된 독립컴퓨터에서 다루도록 해야 할 것입니다. 그리고 해커들이 보다 발전적이며 창조적인 일에 종사할 수 있도록 올바른 방향을 제시해 주어야 하겠습니다. 그리고 미래의 사무자동화로 인한 대규모 실업 사태를 막기 위해서 사람의 손이 꼭 필요한 직업의 끊임없는 개발이 필요 할 것입니다.

사회과학| 2003.06.21| 1페이지| 1,000원| 조회(904)

정보화, 문제점, 악영향

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[사회문화] 씬레드 라인을 보고...

차가운 눈에 투영된 증오의 대상. 전쟁......'과연 누가 선하고 누가 악한 것인가?' 나는 이 '씬 레드 라인' 이라는 영화를 보며 시종일관 이런 질문을 던지지 않을 수 없었다.이 영화의 제목인 '씬 레드 라인' 이란 삶과 죽음의 경계를 말한다. 이 영화는 1942년 태평양전쟁 당시, 미국과 일본 사이에 있었던 전투를 소재로 삼고 있다. 이 영화의 감독 맬릭은 철학적이고도 엄중한 눈으로 이 전쟁을 바라보았다. 감독의 차가운 눈으로 이 영화를 바라본 나의 뇌리 속에는 전쟁 속에서의 희망보다는, 전쟁에서 보고 싶지 않은 것들이 더 많이 담겨 있었다.구성원의 지위와 역할이 명백하게 구별되어 전문화 되어있는, 군대라는 사회 조직이 기대하는 행동에서 벗어나, 군대에서의 도주라는 일탈 행동을 하는 병사. 그런 병사에게 개인보다 사회를 더 중시하는 사회 실재론적 관점에서 "개인은 아무것도 아니야." 라는 무서운 말을 던지는 상사......충천하는 사기도, 나라를 지키고, 나라를 위해 헌신한다는 자부심도 없이, 사지로 내 던져지는 병사들. 그리고 한 상사의 부하로서 명령에 따라 병사들을 사지로 내 몰 것인가, 아니면 병사들의 아버지와 같은 존재로서 상사의 명령에 대한 불복종을 이행 할 것인가 하는 선택의 기로에서 역할 갈등을 겪는 중대장. 그런 중대장에게 더 높은 자리의 성취지위를 얻기 위해 병사들의 희생을 강요하는 대대장......시간이 멈춘 듯한 안개 속에서 서로를 죽이고, 또 죽는 일·미 병사들. 살려줄 것을 애걸하는 일본 병사. 다른 동료들을 위해 혼자 남았다가 결국 죽음을 맞이하는 병사......내가 이 영화에서 볼 수 있었던 희망은 전쟁이라는 참상 앞에서는 지극히 작은 것에 지나지 않았다. 전쟁이 너무나 싫어 졌다. 이런 비애감에 젖으며 나는 다시 한번 나 자신에게 질문을 던졌다. '누가 선하고 누가 악한가?' 나의 결론은 '전쟁 안에서는 누구도 선하지 않다' 이다. 아니, 정확히 말하자면 전쟁이라는 틀이 선한 사람들을 악하게 변화시켜 놓는 것이다. 선한 사람은 없지만, 오직 선한 사람만이 희생당하는 가장 큰 죄악, 전쟁. 이것이 내가 평화주의자로서 전쟁을 증오하는 이유이다.

사회과학| 2003.06.21| 1페이지| 1,000원| 조회(496)

사회문화, 감상문, 씬레드라인

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