감각은 관조적일 수 있는가? - 21세기 미디어 인식론을 지향하며 (Sensory Contemplation; Towards an Epistemoloy of 21st C. Media Art)

서지정보

· 발행기관 : 유럽문화예술학회
· 수록지 정보 : 유럽문화예술학논집 / 8권 / 1호 / 19 ~ 38페이지
· 저자명 : 정용도

초록

What differences can there be between sense and reason? Is human capacity of analogizing the relationship between substance and phenomenon through such differences sensory or deductive? Can sense be physical? It can be said that the extrinsic logic of sense as an attribute of things made the issues of representation become important and had us ignore the essential dimension of senses themselves in the sense that the works of representation can explain about the world. This empirical perspective has made us to accept representation 1s the proof of we are living in the world. However, the sense in media art is the pure internal existence of itself because new media is non-physical and the ontology of absence. Through relationship with things and do not exist in relation or one external and the external ones, at least the sense of media art, is the of pure inner surface itself. New media, is because the ontological absence of a non-material to phenomenal. Works of media art, appearmg not physical but sensory, involve a characteristic of movement and accommodate the characteristics of specific changes of life. Media art raises a philosophical problem because sense must be taken as existential entity in digital era and the sense can be discussed in the paradigm of philosophy because media art is far beyond the scope of representation and imitation of traditional artistic media. The sensory reason makes experience mediatize in the duration of the reaction to the world in the sense of McLuhanian perspective of "the media is the message" and is the reactive process that is constantly building the events of the world. Sensory contemplation is the process of liberalization driving themselves to the state of anomie and an attempt to dismantling themselves. Through sensory contemplation, thus, we can deduce the ontological root of media art and make disappear the borderline between life and art. Iconography of the image producing now has to be changed into aesthetics of media art that is creating intrinsic values of art by itself. The beginning of the epistemology of media art can be started from the change lasting in the continuity over time through the sensory contemplation and the duration of looking for the possibility of transcending the boundaries artificially set by traditionally established mind.

영어초록

What differences can there be between sense and reason? Is human capacity of analogizing the relationship between substance and phenomenon through such differences sensory or deductive? Can sense be physical? It can be said that the extrinsic logic of sense as an attribute of things made the issues of representation become important and had us ignore the essential dimension of senses themselves in the sense that the works of representation can explain about the world. This empirical perspective has made us to accept representation 1s the proof of we are living in the world. However, the sense in media art is the pure internal existence of itself because new media is non-physical and the ontology of absence. Through relationship with things and do not exist in relation or one external and the external ones, at least the sense of media art, is the of pure inner surface itself. New media, is because the ontological absence of a non-material to phenomenal. Works of media art, appearmg not physical but sensory, involve a characteristic of movement and accommodate the characteristics of specific changes of life. Media art raises a philosophical problem because sense must be taken as existential entity in digital era and the sense can be discussed in the paradigm of philosophy because media art is far beyond the scope of representation and imitation of traditional artistic media. The sensory reason makes experience mediatize in the duration of the reaction to the world in the sense of McLuhanian perspective of "the media is the message" and is the reactive process that is constantly building the events of the world. Sensory contemplation is the process of liberalization driving themselves to the state of anomie and an attempt to dismantling themselves. Through sensory contemplation, thus, we can deduce the ontological root of media art and make disappear the borderline between life and art. Iconography of the image producing now has to be changed into aesthetics of media art that is creating intrinsic values of art by itself. The beginning of the epistemology of media art can be started from the change lasting in the continuity over time through the sensory contemplation and the duration of looking for the possibility of transcending the boundaries artificially set by traditionally established mind.

참고자료

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