Mosaic Chapter (8-1) Guggenheim Museum U.S.A 해석

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Mosaic silver edi.
Chapter (8-1) Guggenheim Museum U.S.A 해석입니다

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In 1932, New york`s Museum of Modern Art assembled what was clearly meant to be a definitive exhibition of modern architecture. It presented the work of Frank Lloyd Wright along with that of Le Corbusier, Ludwig Mies vander Rohe, and Walter Gropius, two leaders of Germany`s revolutionary design school, the Bauhaus. On that occasion, Wright commented, I warn you that having made an excellent start, I fully intend not only to be the greatest architect that has ever been but also the greatest of all future architects.
1932년 뉴욕에 현대 미술관이 모여들었는데, 그것은 명백히 현대 건축양식을 정의내리는 의미있는 전시회였다. Le Corbusier, 독일의 혁신적인 디자인 학교인 바우하우스의 두 지도자인 Ludwig Mies vander Rohe와 Walter Gropius의 작품과 함께 프랭크 로이드 라이트의 작품이 따라서 전시되었다. 그 때 라이트는 말했다. 나는 멋지게 시작해서, 완전히 여태까지 볼 수 없었던 가장 위대한 건축물로써 뿐만 아니라 미래의 모든 건축물 중에서 가장 위대한 건축물을 지을 작정이라는 것을 여러분에게 알려드립니다.

Wright`s pride in his own work was understandable . When his three co-exhibitors were still in grade school, he was already designing remarkably innovative houses, any one of which could have established him as first among contemporary architects. With the help of devoted assistants, Wright had created dozens of these houses, year after year. By 1932, Wright`s work had become highly individualistic-often with hints of expressionism that would surface in his design for the Guggenheim Museum.
라이트의 자기 작품에 대한 자부심은 충분히 이해할 수 있었다.

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