다무라 도시코의 『 포락지형(炮烙の刑)』 고찰 —등장인물 류코에 투영된 팜므파탈 이미지를 중심으로— (A study on the image of the femme fatale in Horaku no Kei by Toshiko Tamura)

서지정보

· 발행기관 : 한국일본문화학회
· 수록지 정보 : 日本文化學報 / 94호 / 185 ~ 204페이지
· 저자명 : 오상은, 김난희

초록

この論文は田村俊子の『炮烙の刑』のヒロイン龍子という人物からファムファタールの表象を導き出して分析したものである。大正期は個人主義が盛んな結果、恋愛至上主義時代といわれるほど数多くの恋愛事件が新聞紙面を飾っていた。龍子は人妻にもかかわらず、夫以外の男を愛していると告白し、これは自我を貫徹することであり、何の罪にもならないと強弁する。龍子が夫に恋人がいることを告白したのは、意図されたことで、夫に嫉妬させて、愛を確認しようとした行動であることが分かる。年下の恋人とは精神的な愛だと強調するが、実状を見れば龍子が宏三を先に誘惑し、後には面倒になった関係である。龍子には夫の慶次や年下の恋人宏三の痛みは眼中にもなく、自分のためのエゴイズムが存在するのみである。これは日本の近代化が進む過程で形成された歪曲された自我といえる。慶次に告白した当時、龍子は堂々としていたが、不安定で未熟な自我によって内面のカオスに耐えられず、現実からの逃避行を描いていると見られる。結局、龍子が行った2人の男との恋愛行為は、夫と恋人と自分を破滅に導く結果を招いたのである。俊子は「炮烙の刑」という殷の紂王と妲己にまつわる刑罰を作品のタイトルとして借用することで、ヒロインの龍子にファムファタール的なイメージを与えたと考察した。

영어초록

This thesis draws the image of the femme fatale from the character of Ryuko, the female primaryprotagonist of Horaku no Kei (The Torture of Hot Pillar), written by Toshiko Tamura and analyzes that image. Individualism prevailed during the Taishō period; as a result, numerous love affairs made headlines, marking an era of love supremacy. Ryuko confesses that although she is a married woman, she loves another man. She argues that she does not feel guilty about it because that is who she is. Her confession can be perceived as an intended action on her part, to reaffirm her husband’s love for her through the process of making him feel jealous. Despite stressing on how she feels is only platonic love for her lover Hirojo; who is younger than her; it is Ryuko who seduces him first. Later, the relationship turns troublesome. In fact, Ryuko does not care about the pain that either Geiji, her husband, or Hirojo, her young lover, have to bear; only her own egoism exists. Her story could be the result of a distortedself-viewformedintheprocessofJapan’s modernization. When Ryuko confesses to Geiji, she is confident in her approach. However, she appears to be trying to escape reality because she cannot cope with her inner chaos which is the result of her unstable and immature ego. Eventually, the love affairs that Ryuko has with the two men result in the destruction of the lives of her husband, her lover, and Ryuko herself. It may be suggested that the author used the ‘Torture of Hot Pillar’—the name of a punishment involving King Zhou of Shang and his consort Su Daji—as the title of her book to invoke the image of the femme fatale in the protagonist, Ryuko.

참고자료

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