알바로 시자 건축의 형태구성에 대한 연구 - 초·중기 작품을 중심으로 - (A Study on the Architectural Form Composition of Alvaro Siza)

서지정보

· 발행기관 : 한국문화공간건축학회
· 수록지 정보 : 한국문화공간건축학회논문집 / 72호 / 59 ~ 68페이지
· 저자명 : 박지영

초록

Alvaro Siza’s works were previously interpreted and introduced as Regionalism. However, since the late 1980s, attempts have been made to understand his works beyond Regionalism. Nevertheless, most of the previous researches remains focused on specific projects and periods, and the concepts of the explanation are often vague. This study aims to analyze the architectural form of Siza’s works based on his own words and drawings. Siza himself has not relied on pre-established languages and emphasized the importance of the initial procedure in the design process, which includes observation, understanding & analyzing, and translating & visualizing. It is the key clue for elucidating his works as it is often disclosed in his remarks or writings. His drawings including plans, sections, elevations, and especially his perspective sketches are also significant clues in reading his thoughts. This study divides his works into three phases in terms of the architectural form composition strategies. Phase1 [Composition by Lines] is that the works correspond directly to the site by lines derived from the physical features of the site. The works of this period seem to belong to the site. Phase2 [A Volume Composition] presents universality by composing abstract volumes independently from the site. Lastly, those two phases are integrated into Phase3 [Composition by Volumes], where the universality is achieved by simple geometric volumes from Phase2 and corresponds to the site flexibly through defining relationships of these volumes. We note that Siza's works over a long period changed from lines to volume, from a volume to multiple volumes. It shows the architect’s intention on how architecture corresponds to the site within its historical and social context.

영어초록

Alvaro Siza’s works were previously interpreted and introduced as Regionalism. However, since the late 1980s, attempts have been made to understand his works beyond Regionalism. Nevertheless, most of the previous researches remains focused on specific projects and periods, and the concepts of the explanation are often vague. This study aims to analyze the architectural form of Siza’s works based on his own words and drawings. Siza himself has not relied on pre-established languages and emphasized the importance of the initial procedure in the design process, which includes observation, understanding & analyzing, and translating & visualizing. It is the key clue for elucidating his works as it is often disclosed in his remarks or writings. His drawings including plans, sections, elevations, and especially his perspective sketches are also significant clues in reading his thoughts. This study divides his works into three phases in terms of the architectural form composition strategies. Phase1 [Composition by Lines] is that the works correspond directly to the site by lines derived from the physical features of the site. The works of this period seem to belong to the site. Phase2 [A Volume Composition] presents universality by composing abstract volumes independently from the site. Lastly, those two phases are integrated into Phase3 [Composition by Volumes], where the universality is achieved by simple geometric volumes from Phase2 and corresponds to the site flexibly through defining relationships of these volumes. We note that Siza's works over a long period changed from lines to volume, from a volume to multiple volumes. It shows the architect’s intention on how architecture corresponds to the site within its historical and social context.

참고자료

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