작곡 소재연구를 통한 드뷔시의 <영상 2집>의 해석 (A Study of Interpretation Based on the Compositional Source: Javanese Gamelan in Debussy's Images Book 2)

서지정보

· 발행기관 : 한국피아노교수법학회
· 수록지 정보 : 음악교수법연구 / 14호 / 75 ~ 101페이지
· 저자명 : 박부경

초록

작곡자가 남겨준 악보를 토대로, 소리로 재현해내는 연주작업을 위해 연주자는 해석의 과정을 거친다. 본 연구는 보다 깊이 있는 해석을 위해, 악보에 근거를 둔 객관적인 연구, 분석 이외의 작곡가가 작품의 창작에 사용한 작곡의 소재를 연구함으로써 연주자의 해석에 어떠한 변화와 영향력을 주는지 알아보는데 있다. 이를 위해 드뷔시(Claude Achille Debussy, 1862-1918)가 <영상2집>의 1, 2악장에 작곡의 소재로 사용한 자바의 가믈란 앙상블을 연구하고, 이를 통해 연주자의 작품에 대한 이해와 음악해석이 어떻게 변화되고 깊어질 수 있는지 설명하는 것을 목적으로 한다.

영어초록

Music performers stand in a unique position as irreplaceable interpreters of the art of music, because they are its only means for communication to the general audience. For the interpretation of music, the basic and principal information should be the written music notes and musical indications. However, sometimes other sources beyond music notation and indication marks may help performers to achieve a better understanding of the composer's intent, such as visual images, literary works, and inspiration from exotic instrumental sound.
Debussy was greatly influenced by outside ideas, such as Gamelan music, Japanese paintings, and poems. This research will take a deeper look into the first and second movement of Debussy's Images to see how they were inspired by the Gamelan ensemble, and how by understanding the extra source, the performer can achieve a more insightful performance. The purpose is to achieve and clarify performer's interpretation of the Images Book II through the knowledge of the gamelan.
This research explains how Debussy first was exposed to this ensemble, what fascinated him about it, and how it affected his composition. Also, It presents an overview of the Gamelan itself in detail, focusing on its makeup and sound. Then it explains how this knowledge helps to enhance the performer's interpretation and what kind of articulations the performer can incorporate to transfer the Gamelan sound into the piano.
Through studying the Gamelan ensemble, the performer can hear the various individual colors of the Gamelan instruments from within Debussy's piano composition. The idea of creating the different sounds and colors of each instrument led the performer to the idea that diverse arm and hand motion is needed to imitate the characteristic sound and tone color of each Gamelan instrument. Studying the extra source in depth has greatly altered the performer's understanding of the piece and has given a deeper interpretation into Debussy's composition.

참고자료

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