A Study on the Spatial Composition Principle and Feature of Japanese Garden, ‘Haechang Joojojang(海倉 酒糟醬) in Haenam Jeollanam-do

서지정보

· 발행기관 : 한국전통조경학회
· 수록지 정보 : 한국전통조경학회지 / 9권 / 33 ~ 40페이지
· 저자명 : 김상범, 윤영석, 김덕삼

초록

This study aimed at uncovered the spacial features of a Japanese-type garden targeted to “Haechang Joojojang' created by a Japanese in the 1920s and handed down to date, and being used as basic data including the value of the Japanese garden for cultural and spacial recycling and as a modern cultural legacy. The main building of this garden can be found to be a Japanese-style building through the enshrined place, 2 story staircases, the wide window created in all sides, and the sliding doors, and especially, confirmed to be a characteristic structure of Shoinjasaki(書院座敷), which was built in a style of Seoweonjojeongweon architecture. In addition, it is understood that Chuksan(築山) was designed as intended to be seen as a main garden along with the lake from the observer's point of view seen from inside the building. Also Remarkably formal features include creation as a Excursion forest spring type garden looking around with a lank dug and a bridge set up at the center of the garden and introduction of the frint mountain, Hyeongjesan as a background scenery factor. The garden in front of the building starts at the position passing the entry space extending to the main door, and shaping mounding treated Kyotosan to the east is grasped as a visual emphasis, and main motif and concept composing the garden, when the Kyotosan is seen as reflecting ideal relation with human and nature expressed at the garden composed of formative space with 5 mounding treated maintain forms clockwise, and the emotions missing the hometown. Likewise, creating Osan through developing mounding can find out the normative building status of Japanese garden's Chuksan, that is, Seokgasan, which is assumed that it was built based on the Chuksan of Heijoque[平城宮] Doindeien[東院庭園], namely, Doin Garden designated as a world cultural legacy. Also it seems to have pursued the condition of Zen by pressing an ideal world in Buddhism at the garden like introducing a lake at Japanese inherent garden, making and erecting Sumisan in the center. In addition, Haechang Joojojang Garden reveals an ecological planting intention incorporating the aspect as a moss garden, Japanese innate landscape architectural trees and ecological plants' marital harmony.

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