14世紀前半 高麗象嵌靑瓷梅甁의 새로운 變化 (A study on the Inlaid Celadon Meiping newly changed during the first half of 14th century)

서지정보

· 발행기관 : 한국미술사교육학회
· 수록지 정보 : 미술사학 / 21권 / 183 ~ 205페이지
· 저자명 : 박정민

초록

In 13th century, main consumers of the best quality inlaid celadon were army generals who based on military power such as Choi’s. With these kind of the demands, existing elegant literary and cultured favour changed into meaningless gaudy patterns. Koryo celadons were manufactured for the aristocracy also mainly based on splendid inlaid technique. Through these celadons, we can confirm demand formation of the consumers who take the best quality celadon at that time. The propensity of decorate brilliant was getting strong. For this reason, patterns cover whole body of vessels. In this process, application of imprint design getting increased to make same pattern easily.
Development of agricultural producing capacity and spreading distribution economy through market places made to increase celadon consumer group. It was special feature of the first half of 14th century. Koryo inlaid celadon produced more, to meet the increased demand. Introduce newly changed demands, like patterns cover whole body of vessels, and make more vessels effectively, imprint design was widely and fully used.
In 14th century Koryo inlaid celadon covered patterns whole body of vessels and produced on a large scale. Apart from these characteristics, we can perceive several influences of Yuan dynasty cultural factors through 14th century Koryo inlaid celadon. During King Chung-sun(忠宣王) Koryo showed positive and well disposed attitude in relationship with Yuan dynasty(元朝). In this time, resistance and objection about Yuan culture also became weak, and many kinds of cultural aspects flow into Koryo. The first half of 14th century Koryo inlaid celadon have influences from Yuan ceramics. However, The influences were limited to the best condition celadon. It can be analyzed that newly influenced characters from Yuan ceramics were only for the consumers who have relationship with Yuan dynasty directly or indirectly.
In the end of 10th century, Koryo took celadon culture from China. After that, Koryo had been developed the culture and made their own one. With firm cultural foundation of ceramics, manufacturing system of Koryo inlaid celadon can met newly occurred demand about Yuan style factors with only small transfiguration of originality. Koryo inlaid celadon which made in the first half of 14th century accepted imprint design to cover newly increased demands efficiently. In this process, Koryo celadon lost their elegant and mystery color(翡 色) and changed to utility goods. Demands of Koryo celadon as utility goods could covered domestic production. For this reason, Koryo celadon industry developed independent manufacturing systems without imported Chinese ceramics which paid a lot of money and efforts.

영어초록

In 13th century, main consumers of the best quality inlaid celadon were army generals who based on military power such as Choi’s. With these kind of the demands, existing elegant literary and cultured favour changed into meaningless gaudy patterns. Koryo celadons were manufactured for the aristocracy also mainly based on splendid inlaid technique. Through these celadons, we can confirm demand formation of the consumers who take the best quality celadon at that time. The propensity of decorate brilliant was getting strong. For this reason, patterns cover whole body of vessels. In this process, application of imprint design getting increased to make same pattern easily.
Development of agricultural producing capacity and spreading distribution economy through market places made to increase celadon consumer group. It was special feature of the first half of 14th century. Koryo inlaid celadon produced more, to meet the increased demand. Introduce newly changed demands, like patterns cover whole body of vessels, and make more vessels effectively, imprint design was widely and fully used.
In 14th century Koryo inlaid celadon covered patterns whole body of vessels and produced on a large scale. Apart from these characteristics, we can perceive several influences of Yuan dynasty cultural factors through 14th century Koryo inlaid celadon. During King Chung-sun(忠宣王) Koryo showed positive and well disposed attitude in relationship with Yuan dynasty(元朝). In this time, resistance and objection about Yuan culture also became weak, and many kinds of cultural aspects flow into Koryo. The first half of 14th century Koryo inlaid celadon have influences from Yuan ceramics. However, The influences were limited to the best condition celadon. It can be analyzed that newly influenced characters from Yuan ceramics were only for the consumers who have relationship with Yuan dynasty directly or indirectly.
In the end of 10th century, Koryo took celadon culture from China. After that, Koryo had been developed the culture and made their own one. With firm cultural foundation of ceramics, manufacturing system of Koryo inlaid celadon can met newly occurred demand about Yuan style factors with only small transfiguration of originality. Koryo inlaid celadon which made in the first half of 14th century accepted imprint design to cover newly increased demands efficiently. In this process, Koryo celadon lost their elegant and mystery color(翡 色) and changed to utility goods. Demands of Koryo celadon as utility goods could covered domestic production. For this reason, Koryo celadon industry developed independent manufacturing systems without imported Chinese ceramics which paid a lot of money and efforts.

참고자료

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