국민경제조정기(1961~1965년) 중국 시(詩)의 전환기적 성격 (Transitional Characteristics of Chinese Poetry during the National Economic Adjustment Period(1961-1965))

서지정보

· 발행기관 : 한국외국어대학교 중국연구소
· 수록지 정보 : 중국연구 / 94권 / 39 ~ 65페이지
· 저자명 : 김자은

초록

국민경제조정기(1961-1965년, 이하 조정기)는 ‘대약진’과 ‘문화대혁명’ 사이 몇 년에 불과하지만, 정치적으로나 문학적으로 이전과 이후 사이에 뚜렷한 차이를 드러낸다. 본고는 조정기 시의 특별한 성격에 주목하여, 다음과 같은 내용을 서술하였다. 먼저 대약진 문예의 새로운 경향을 정리하고 문예 조정정책인 「문예8조」의 등장 과정과 그 내용을 소개하였다. 그리고 지식인 작가들의 선택지로 허용된 정치서정시의 장르적 특징과 의미를 분석하고, 문화대혁명으로 이어지는 중국 시의 연결 고리들을 살펴보았다.

영어초록

The period of national economic adjustment(1961-1965) is located between the ‘Great Leap Forward’ and the ‘Great Cultural Revolution’. This period has very distinct political and literary characteristics. This paper has been summarized the transitional characteristics of Chinese poetry during the period of economic adjustment as follows. First, ‘Emergence of new sanctions and discourses’. Realistic tasks and daily truths appeared as sanctions in folk songs, which had strong movement for popularization. In the poetry circle, discussions were made on level of workers-peasants-soldiers writers and the form of folk songs. Second, ‘Adjustment of literary policy’. During this period, the leadership enacted 「Eight Articles of Literature and Art」 to crack down on the far-left trend in the literary world, but the period to confirm its effectiveness was too short. Third, ‘Stylization of political lyric poetry’. The writers sang personal lyricism in the realm of post-reality, such as natural sceneries, mythological legends, and past experiences based on political senses. Such attempts provided writers with political safety zones and opportunities to restore their artistry. However, political lyricism without criticism eventually settled down in the form of ‘personal idolization’ and ‘praise’.

참고자료

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