『노르웨이의 숲』번역에 대하여- 문장의 반복리듬을 중심으로 - (On the Translation of Norwegian Wood - Focusing on Iterated-Rhythms of Sentences -)

서지정보

· 발행기관 : 일본어문학회
· 수록지 정보 : 일본어문학 / 79호 / 203 ~ 228페이지
· 저자명 : 유은경

초록

この論文は、執筆時に文章のリズムをとても重要視する村上春樹のステディセーラである『ノルウェイの森』の五つの韓國語翻譯本のリズム反映度を比較分析したものである。反復リズムに限って結論を言うと、作家の意圖の充實な反映はどの翻譯本にも見られなかった。なぜなのだろう。 その理由は、春樹のリズム演出に翻譯者が気づかなかったこと、文章のリズムより韓國語の語法に合わせる翻訳を優先したことなどが挙げられる。また、韓國語では反復法の頻繁な使用を好まない文化もその理由の一つであろう。この論文の意義は次のようである。 1)はじめて村上春樹文章の反復リズムを主題にし、彼の文體の特色をあきらかにした。 2)春樹作品の翻譯において新しい方向を提示した。 3)文章のリズムを活かせられない単語や文句を提示して日本語理解の幅をひろげた。

영어초록

In this article, we target Haruki Murakami’s steadily-selling book Norwegian Wood, a piece of work where the rhythm of sentences plays an important role, and analyze five translations by comparing them in terms of how the “rhythm” is reflected in each translation. As far as the iteration rhythm is concerned, none of these translations sufficiently reflects the author’s intention, and this article offers an explanation of this observed fact.
The reasons for the above fact include “the translator did not recognize the rhythm intended by the author,” “the translator put a priority on a translation that naturally matches the Korean language over a translation that reflects the sentence rhythm,” and so on. Another reason would be “it is sometimes awkward to frequently iterate phrases/sentences in the Korean language.” The main results of the present article can be summed up as follows: (i) The article addresses the iteration rhythm in Haruki Murakami’s work for the first time, shedding light on the characteristics of his style; (ii) A new direction is pointed out for the translations of Haruki Murakami’s work; (iii) Words and phrases which resist the application of sentence rhythm are presented, which broadens the understanding of the Japanese language.

참고자료

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