2000년대 일본 영화 속 재일 표상 - 영화『박치기!』를 중심으로 - (The representation of Korean Japanese in Japanese film, 2000s - Focusing on the "Break Through!(パッチギ!)")

서지정보

· 발행기관 : 한양대학교 현대영화연구소
· 수록지 정보 : 현대영화연구 / 8권 / 2호 / 137 ~ 166페이지
· 저자명 : 신소정

초록

The "Break Through!(パッチギ!)" is a Japanese film which released by Director Kazuyuki Izutsu on January 22, 2005. This movie is the work that makes it along the current trends connected to the 1988 Seoul Olympic Games, the opening of Japanese cultural exports to South Korea 1998, the 2002 World Cup Korea-Japan, and the Korean wave to Japan from 2003. There was double-faced view going around in Japan at that time. In other words, Korean wave spread over positive images of culture in Japan, whereas Kim Jong-il acknowledged Japanese kidnapping in 2002 and the consequential negative images about North Korea were building. The product of double-faced images concerning the Korean Peninsula is typical case confirmed insufficiency of history recognition. Such a contradiction in Japan pointed out and concerned discourse with discourse about South-North Korea reproduced.
However, on the cultural thing, in the movie especially, the South-North Korea related discourse in partial reproduced. The "Break Through!(パッチギ!)" is movie raised a question in the same vein without any objection. Therefore, in this paper, contradictory view about the Korean Peninsula criticized and analyzed the relevance which inheres in the Korean Japanese description and discourse in this movie as text indicated insufficiency of history recognition, distortion and concealment of history in Japan. Through analytical researches, this paper confirmed a reflection on unilateral North Korea hatred discourse set up with not Korean nationality but Korean-Japanese as Chosun nationality, and pointed out the criticism about Korean-Japanese discrimination acculturation in Japan such as the discrimination concerning Korean-Japanese as Chosun nationality is used as scapegoat.

영어초록

The "Break Through!(パッチギ!)" is a Japanese film which released by Director Kazuyuki Izutsu on January 22, 2005. This movie is the work that makes it along the current trends connected to the 1988 Seoul Olympic Games, the opening of Japanese cultural exports to South Korea 1998, the 2002 World Cup Korea-Japan, and the Korean wave to Japan from 2003. There was double-faced view going around in Japan at that time. In other words, Korean wave spread over positive images of culture in Japan, whereas Kim Jong-il acknowledged Japanese kidnapping in 2002 and the consequential negative images about North Korea were building. The product of double-faced images concerning the Korean Peninsula is typical case confirmed insufficiency of history recognition. Such a contradiction in Japan pointed out and concerned discourse with discourse about South-North Korea reproduced.
However, on the cultural thing, in the movie especially, the South-North Korea related discourse in partial reproduced. The "Break Through!(パッチギ!)" is movie raised a question in the same vein without any objection. Therefore, in this paper, contradictory view about the Korean Peninsula criticized and analyzed the relevance which inheres in the Korean Japanese description and discourse in this movie as text indicated insufficiency of history recognition, distortion and concealment of history in Japan. Through analytical researches, this paper confirmed a reflection on unilateral North Korea hatred discourse set up with not Korean nationality but Korean-Japanese as Chosun nationality, and pointed out the criticism about Korean-Japanese discrimination acculturation in Japan such as the discrimination concerning Korean-Japanese as Chosun nationality is used as scapegoat.

참고자료

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