The Formality and Landscape Significance of Geomundo Samhopalkyung

서지정보

· 발행기관 : 한국전통조경학회
· 수록지 정보 : 한국전통조경학회지 / 14권 / 38 ~ 49페이지
· 저자명 : 신병철

초록

The research results on the examination of the characteristic and value of Samhopalkyung (三湖八景, the eight sceneries of Samho) as an important source of Geomundo’s tourism through symbolic analysis on the scenic formality and significance of Geomundo Samhopalkyung.
The 1st and 2nd sceneries of Samhopalkyung employs the motif of Sosalpalkyung; Gyuleun Kim Lyu, the subject of Palkyungsi (poetry of the eight sceneries), which is the origin of Palkyung (the eight sceneries), is understood as the observed scenery of his residence and safe haven. The main subject of Samhopalkyung combines formal factors and endemic factors, such as the pavilion, rain, waves, setting sun, returning ship, sandy beach of the sea, fishing light, and the clouds, in which the panoramic scenic characteristic of a fishing village is emphasized. Most of the sceneries are time sensitive landscape type and view type sceneries; Samhopalkyung holds the variety of various visual ranges, and includes the sceneries that demonstrate property of sound landscape. Geomundo Samhopalkyung pursues the poetic tension, and dialectic composition through the juxtaposition and confrontation of each scenery to apportion contrasting directions, distances, and time, such as night and day, sky and sea, coastal waters and deep waters, and the East and the West, in which the traces of agony to embrace the indigenous aesthetic characteristic of the sea, holding the universal order, and scenic significance, can be found. Ultimately, the dignity of oceanicinsular sceneries based on the three dimensional spatial-temporal elements of direction, space, distance, and time, is discovered within the Samhopalkyung.

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