A Comparative Study on the Figuration of Shiwang(ten kings of the afterlife world) Shown on Taoist and Buddhist Literatures - Focused on Yùlìchāochuánjǐngshì and Fúshuōyùxiūshíwángshēngqījīng -

서지정보

· 발행기관 : 한국전통조경학회
· 수록지 정보 : 한국전통조경학회지 / 21권 / 21 ~ 30페이지
· 저자명 : 박소현

초록

The concept of ‘Shiwang’, an important element in traditional Korean temple architecture that represents the perception and characteristics of the spatial arrangement in the hall of MyeongBu, has primarily been studied from a visual perspective. This leaves a sense of regret as it falls short of fully uncovering the fusion of Taoist and Buddhist philosophies and the cultural-symbolic implications of their respective components. Therefore, in this study focusing on Yulichaochuanjmgshi (the Records of the Great Jade Emperor), a Book of Taoist Scriptures, and Fushuoyuxiushfwangshengqijingthe Scriptures of Shiwang), a Book of Buddhist Scriptures, I comparatively researched the fusion tendency and the differences among Confucianism, Buddhism and Taoism, which are shown through the figuration of the religious faith of MyeongBu (Miff, the afterlife world where the deads are judged about what they did before death) on the painting of Shiwang painted in the hall of MyeongBu. The study results particularly show that there are differences on the Majesty of Shiwang and Majesty’s servants and on the point whether there is the look of hell in accordance with the attributes of Taoist and Buddhist scriptures. They are all about the judgment based on the retribution of the dead after death. The Scriptures of Shiwang emphasize YeSuJae rite to get rid of retribution and practice good deeds while the Records of the Great Jade Emperor clearly shows the look of hell to make the people see the real look of hell so that they can be afraid of the hell and shall not make retribution. In addition, I could infer the attributes of Taoist and Buddhist literatures through the names of JeonGak, SaJa and YukDo (Ain) shown on such paintings and scriptures, which indicate that the figuration shown on the painting of Shiwang in the halls of MyeongBu, Buddhist temples are based on the fundamental thought of the Scriptures of Shiwang; the painting of hell of the Records of the Great Jade Emperor was more used; Confucianism, Buddhism and Taoism were widely spread out in a fused form in the folk world making it possible to see the people’s recognition of the world after death. The painting and scriptures are thought to be closely related with the tendency of a variety of Jae (JU, rite) that were held in the halls of MyeongBu and Buddhist temples for salvation, which, therefore, indicates that there is a clear difference between the hell of Taoism and the religious faith of MyeongBu of Buddhism: While Taoism is closely related with daily folk life, Buddhism is more doctrinal than Taoism.

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