원정기(院政期), 제영가(題詠歌)의 우타마쿠라(歌枕) 섭취의 양상에 대한 고찰 - 우타마쿠라 아다치(安達)를 중심으로 - (The Comsumption of Utamakra in Daiei of the Insei-period - Focusing on Daie of the Utamakura Adachi -)

서지정보

· 발행기관 : 한국외국어대학교 일본연구소
· 수록지 정보 : 일본연구 / 91호 / 175 ~ 197페이지
· 저자명 : 이상민

초록

本稿では、歌枕「安達」の題詠化を通史的に考察してみた。歌枕「安達」は早くも『古今和歌集』から用例を見いだすことが出来る。にもかかわらず、「安達」は都から離れた辺鄙な地であったため、遠い未知の風土、鬼の人を食い殺すという怖ろしい伝説が伝わる観念の地でもあった。また『古今集』の「安達のまゆみ」から、恋歌などにおいて遠く離れている人を引き寄せる力を持っていると言われた神器の産地という伝統をも受け継いできた。それ故に他の歌枕、とりわけ都から遠く離れ、その発見と題詠化が遅れた東海道上の歌枕に比しても、さらに題詠歌への包摂が遅れた歌枕でもあった。 しかし、歌枕「安達」に対する関心は、歴史的に源頼朝の奥州征伐以降、『新古今集』に源重之の歌が撰入されたことによって急激に増加したと見られる。そして『新古今集』の奏覧を祝うために催された『最勝四天王院障子和歌』の歌題として撰ばれたのも、その結果の一つだと言えよう。 一方、題詠化において季節的に秋の歌枕、辺境の歌枕として定着するように見えた歌枕「安達」は、『最勝四天王院障子和歌』開催の八年後、順徳院の主催した『健保三年名所百首』では冬の終わりでありながらも、循環する四季の繋がり役として、冬十首に配置された。それによって歌枕「安達」はただ都からかけ離れ、誰もに捨てられた地ではなく、朝廷の支配がとどく最前線でありながらも、冬の終わりから春の始まりをつなげる歌枕として題詠化したと思われる。この『建保三年名所百首』における歌枕「安達」の配置は、主催者の順徳院を日本の時空間を支配する帝王として表象しようとする意識と関わっていると思われる。

영어초록

In this Paper, I have historically considered Utamakura “Adachi”. “Adachi” can find an example from 『Kokinshu』 as early as possible. Nevertheless, because “Adachi” was a remote place away from the capital, kyoto, it was also a place of ideas that conveys a distant unknown area and a scary tales of Cannibal demon(Oni). In addition, it has inherited the tradition of producing sacred treasures that are said to have the power to attract people far away in love songs from “Mayumi Adachi” in 『Kokinshu』. Therefore, compared to other Utamakura, especially the Utamakura on the Tokaido, which was far from the capital and whose discovery and subsumption in the Daie was delayed, it was also a Utamakura whose subsumption in the Daie was delayed. However, it seems that interest in the Utamakura “Adachi” has increased sharply since Minamoto Yoritomo’s conquest of Oshu, when Shigeyuki’s waka was introduced into 『Shinkokinshu』. And it can be said that one of the results was that it was selected as the title of 『Shinkokinshu』, which was held to celebrate the completion of it. On the other hand, the Utamakura “Adachi”, which seemed to be seasonally established as an autumn Utamakura and a frontier Utamakura, was held in just eight years after the 『Saisho Shitennoin Shoji Waka』 was held. Although it was the end of winter, it was placed in the winter as a link between the four seasons. As a result, the Utamakura “Adachi” is not just a place abandoned by anyone, but it seems that it has become a Utamakura that connects the end of winter to the beginning of spring, even though the rule of the imperial court is at the forefront. . It seems that the arrangement of the Utamakura “Adachi” in this 『Kempo Hyakushu』 is related to the consciousness of trying to represent as the emperor of Jundokuin, which controls the space-time of Japan.

참고자료

· 없음