1967년 아랍-이스라엘 전쟁, 그 트라우마와 전향: 시리아 시인 니자르 깝바니를 중심으로 (A study on the 1967 Arab-Israel War, his trauma and conversion: On the focused of Syrian poet Nizar Qabbani)

서지정보

· 발행기관 : 한국중동학회
· 수록지 정보 : 한국중동학회논총 / 33권 / 2호 / 105 ~ 128페이지
· 저자명 : 임병필

초록

Nizar Qabbani', after he experienced the incredible defeat and smashing collapse in the 1967 War, was conversed from the poet writing love and women’s liberation to the poet criticizing to the responsible someone for the defeat with a knife in his mind.
Through his many works after the 1967 War, Qabbani did not blame the main enemy Israel but accuse the inside problems of Arab world. Because he thought that the cause of the defeat was in the dictators, the decayed politicians, pro-imperial literary men, not in the intervention of the Western Imperialism that offered the modern weapon to Israel like as the regimes and the politicians insisted. And also he thought that in the background of the preparing and taking part in the war, the Arab traditional and cultural heroism about the war was functioned.
So Qabbani began to express his malicious language to the inner Arab world with a knife not to the main enemy Israel. After all we can say that the works of Nizar Qabbani after the 1967 War were on the basis of “the poetics of disclosure and counter-poetics”.

영어초록

Nizar Qabbani', after he experienced the incredible defeat and smashing collapse in the 1967 War, was conversed from the poet writing love and women’s liberation to the poet criticizing to the responsible someone for the defeat with a knife in his mind.
Through his many works after the 1967 War, Qabbani did not blame the main enemy Israel but accuse the inside problems of Arab world. Because he thought that the cause of the defeat was in the dictators, the decayed politicians, pro-imperial literary men, not in the intervention of the Western Imperialism that offered the modern weapon to Israel like as the regimes and the politicians insisted. And also he thought that in the background of the preparing and taking part in the war, the Arab traditional and cultural heroism about the war was functioned.
So Qabbani began to express his malicious language to the inner Arab world with a knife not to the main enemy Israel. After all we can say that the works of Nizar Qabbani after the 1967 War were on the basis of “the poetics of disclosure and counter-poetics”.

참고자료

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