《开元天宝遗事》中赞美的观念解读 (The Conceptual Interpretation of Praise in《Kaiyuan Tianbao Legacy》)

서지정보

· 발행기관 : 한국아시아학회
· 수록지 정보 : 아시아연구 / 26권 / 3호 / 205 ~ 220페이지
· 저자명 : LIRI FANG

초록

本稿以唐五代王仁裕所撰《开元天宝遗事》为研究对象，立足于文本中的赞美的语言，以解读其赞美的观念为研究目标。首先通过对《开元天宝遗事》中赞美的对象及语言进行分类纵观后，可将涵盖《开元天宝遗事》整体的赞美的观念解读为：万物虽可分出千万般差异，但在赞美的世界里是无不相同的，都有属于自己固有的赞美的语言。进一步从两个方面对《开元天宝遗事》赞美的观念进行了解读。其一是通过赞美的语言表象的解读。通过以下五个方面依次展开:对事物予以赞美，即使没有具体的赞美的语言，也可用 美、多、荣、叹 等语言传达赞美之客观事实；还可用 如 等字参与的比喻句式来赞美事物，可使赞美的语言丰盈饱满且深刻；又可以通过相异或相同事物的对比或对照构成赞美的语言，此种赞美的方式是将赞美的语言锁定在对比与对照句式中，可增加其牢固性与可信度；以同中求异的方式赞美，可以避免单一化，增加强弱差异感；最后可使用言简意深的赞美的语言，如 解语花 仅用其三个字的赞美的语言容纳下了一整段赞美的故事。其二是通过赞美的文化心理的解读。这里通过四个方面进行了解读：赞美，要充分尊重自然，要善于运用人与自然的和谐之美；可以用含蓄的方式赞美，就如人们将对杨贵妃的赞美以含蓄的方式凝结于 红 色之中；还可以通过实物委婉地表达赞美之意，即可将赞美的语言转化为可观的实物；最后赞美可以通过双重的方向进行，一方使其浮于文字表面，另一方可将其隐藏于文字背后，给赞美的语言的输出保留一个开放性的出口。如此种种的《开元天宝遗事》赞美的观念解读，是以助力于把握作者及故事时代人物折射入作品中的语言艺术观为信念。其价值在于：以细微之处的深入解读提升对《开元天宝遗事》整体的语言观念的认知。

영어초록

This article centers on the possibility that words of praise in a Chinese novel called 《Kaiyuan Tianbao Legacy》by Renyu Wang in the Later Han Dynasty in China can act as practical value in modern society. The ultimate purpose of this study is to create a culture of praise in the international environment where countries are getting closer in the global era. Through classification and observation of the objects praised in 《Kaiyuan Tianbao Legacy》, it is suggested that not only emperors, their concubines, and subjects, but also insignificant plants can be at the center of praise, and it is emphasized that each country also has a word of praise suitable for them. There is a praise method that has been made through comparison between the objects here, and there is also a praise method that can increase the objective reliability of the praise after presentation of both positive and negative aspects in the same objects. In addition, it was possible to see the characteristics of praise such as concealment in color, concealment at the points of contact between the people and the things, or visible concealment by depositing the properties revealed at the points of contact between the things and the people to the things. At the same time, an observer's equality ideas in all things were presented as an essential condition. After these characteristics were examined, a possibility of utilizing it as an artistic reference book for a word of praise for modern people was suggested, and it was argued that such a word of praise and an art of praise, which have been passed down through the human race over thousands of years of verification, need to play their own role in each cultural field of modern society.It is discovered that almost all of the words of praise in 《Kaiyuan Tianbao Legacy》remain as the most frequently used idioms today, and they have never been cut off from the development of human society. Therefore, it is meaningful to emphasize that it is essential to participate in each cultural area of modern society. In conclusion, a little cry of this study is that culture of praise should not only become a familiar culture in each country, but should also be formed in a desirable direction between countries.

참고자료

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