전등사 대웅전의 가람배치, 형태, 그리고 색채가 구축하는 다차원적 조형언어 (The Multi-dimensional Formative Language Constructed by the Form, Color and Building Layout of Daeungjeon, Jeondeungsa Temple)

서지정보

· 발행기관 : 한국색채학회
· 수록지 정보 : 한국색채학회논문집 / 33권 / 4호 / 47 ~ 56페이지
· 저자명 : 박효철

초록

This study aims to analyze the multi-dimensional formative languages that the forms and colors of Buddhist architecture construct at points with differences in distance and level, and then interpret the internal emotions felt by observers in the process of ascending to the main building of a temple (Daeungjeon) through the lower part of the pavilion. Towards this end, an analysis was conducted on 14 points from the Daejoru to the Daeungjeon of Jeondeungsa Temple, and 2 points on the southeast and east sides, and the results are as follows. First, there is a difference between the elevation of the main building of Jeondeungsa Temple and the shape when viewed by observers moving through the space. The achromatic image looks chromatic in color, the elevation led by the roof is centered on the roof, the vertical shape is horizontal, the form of a two-dimensional image is three-dimensional, and the heavy roof looks light from the observers’ viewpoints. Second, the opening and closing phenomena in which the building or the Buddhist statue are visible or invisible are repeated while the observer moves through the time and space. In this process of multi-dimensional time-space movement, the expectation level for the next place is gradually increased so as to realize the internal formative language, ultimately promoting catharsis. Third, there are significant differences in the shape and color form of a building perceived from the front, side and oblique (45°) views. However, from the front view, a difference in level between the lower part of the pavilion and the courtyard is large, but there is almost no change in shape between the two points. In addition, the lighter or darker shades of the colors can be felt as the observer approaches the building. Fourth, although the type of Dancheong is Geumdancheong (elegant decoration), and the style of columnar bracket clusters (Gongpo) is Dapo style, which exhibit a high hierarchy, the overall color scheme is simple. However, the hierarchy as the main hall of the temple is strengthened by the elaborate Gongpo member and the orderly repetition of the Dancheong pattern. Fifth, Noerok(green mineral pigment),the base color of Gongpo, is similar to the color of the forest behind the building. Thus, there is seemingly no boundary between the background and the Gongpo, and it appears as if the roof floats in the air. In addition, the roof-end tiles stand in contrast to the Gongpo, the ridge of the roof is in contrast with that of the gable, and the hip rafter contrasts with the sky, creating striking views of different roof shapes in each direction and smooth curves of eaves. Sixth, the color scheme constructed by the Noerok of the Gongpo and the Seokganju of the column is similar to the color scheme of a pine tree (green in the upper part, red in the lower part). This can be interpreted as an expression of the metaphorical formative language by which it is hoped that the building possesses great longevity.

영어초록

This study aims to analyze the multi-dimensional formative languages that the forms and colors of Buddhist architecture construct at points with differences in distance and level, and then interpret the internal emotions felt by observers in the process of ascending to the main building of a temple (Daeungjeon) through the lower part of the pavilion. Towards this end, an analysis was conducted on 14 points from the Daejoru to the Daeungjeon of Jeondeungsa Temple, and 2 points on the southeast and east sides, and the results are as follows. First, there is a difference between the elevation of the main building of Jeondeungsa Temple and the shape when viewed by observers moving through the space. The achromatic image looks chromatic in color, the elevation led by the roof is centered on the roof, the vertical shape is horizontal, the form of a two-dimensional image is three-dimensional, and the heavy roof looks light from the observers’ viewpoints. Second, the opening and closing phenomena in which the building or the Buddhist statue are visible or invisible are repeated while the observer moves through the time and space. In this process of multi-dimensional time-space movement, the expectation level for the next place is gradually increased so as to realize the internal formative language, ultimately promoting catharsis. Third, there are significant differences in the shape and color form of a building perceived from the front, side and oblique (45°) views. However, from the front view, a difference in level between the lower part of the pavilion and the courtyard is large, but there is almost no change in shape between the two points. In addition, the lighter or darker shades of the colors can be felt as the observer approaches the building. Fourth, although the type of Dancheong is Geumdancheong (elegant decoration), and the style of columnar bracket clusters (Gongpo) is Dapo style, which exhibit a high hierarchy, the overall color scheme is simple. However, the hierarchy as the main hall of the temple is strengthened by the elaborate Gongpo member and the orderly repetition of the Dancheong pattern. Fifth, Noerok(green mineral pigment),the base color of Gongpo, is similar to the color of the forest behind the building. Thus, there is seemingly no boundary between the background and the Gongpo, and it appears as if the roof floats in the air. In addition, the roof-end tiles stand in contrast to the Gongpo, the ridge of the roof is in contrast with that of the gable, and the hip rafter contrasts with the sky, creating striking views of different roof shapes in each direction and smooth curves of eaves. Sixth, the color scheme constructed by the Noerok of the Gongpo and the Seokganju of the column is similar to the color scheme of a pine tree (green in the upper part, red in the lower part). This can be interpreted as an expression of the metaphorical formative language by which it is hoped that the building possesses great longevity.

참고자료

· 없음