서울 · 경기지역 굿거리에서 강신무가 착용하는 무복 몽두리 비교연구 (A Comparative Study on Shaman’s Costume Mongdoori which Gangsin-mu wear in Seoul and Kyunggi Area in Modern Gutgeori)

서지정보

· 발행기관 : 한복문화학회
· 수록지 정보 : 한복문화 / 18권 / 2호 / 111 ~ 123페이지
· 저자명 : 김은정, 마유리, 윤은영

초록

The present conditions of shaman's costume which Gangsin-mu (possessed shamans) wear in modern Gutgeori were examined through a field survey and a phenomenon. The type of shaman's costume Mongdoori worn to symbolize the dancing expression of calling an ancestor spirits. From this acting, regardless of the type of exorcism was observed which suggesting the need to analyze the traditional and the modern shaman's costume Mongdoori. For the method of study, bibliographic data related to the origin of traditional Mongdoori was used and the pictures were taken while witnessing exorcisms for two years from 2013 to 2014. First, comparison of the type between traditional shaman's costume Mongdoori and modern shaman's costume Mongdoori were showed. While shaman's costume Mongdoori has foundation in traditional costume Mongdoori, it has been put through changes with increasing multicolored stripes or embroidery to be looked gorgeous partially. Second, there were formative differences between traditional shaman's costume Mongdoori and modern shaman's costume Mongdoori. In addition, most of shamans wore Mongdoori which were pleated around their waist in the form of a skirt and jacket with an influence of dance costume. Third, in the modern Gutgeori, shamans could not completely adjust their dresses because they should be able to wear multiple pieces of Mongdoori at once in the dance symbolizing their ancestor spirits and take them off in the manner of divine conversion. Therefore, a band worn around Mongdoori became unnecessary and a part of the configuration of shaman's costume seemed to be disappeared.

영어초록

The present conditions of shaman's costume which Gangsin-mu (possessed shamans) wear in modern Gutgeori were examined through a field survey and a phenomenon. The type of shaman's costume Mongdoori worn to symbolize the dancing expression of calling an ancestor spirits. From this acting, regardless of the type of exorcism was observed which suggesting the need to analyze the traditional and the modern shaman's costume Mongdoori. For the method of study, bibliographic data related to the origin of traditional Mongdoori was used and the pictures were taken while witnessing exorcisms for two years from 2013 to 2014. First, comparison of the type between traditional shaman's costume Mongdoori and modern shaman's costume Mongdoori were showed. While shaman's costume Mongdoori has foundation in traditional costume Mongdoori, it has been put through changes with increasing multicolored stripes or embroidery to be looked gorgeous partially. Second, there were formative differences between traditional shaman's costume Mongdoori and modern shaman's costume Mongdoori. In addition, most of shamans wore Mongdoori which were pleated around their waist in the form of a skirt and jacket with an influence of dance costume. Third, in the modern Gutgeori, shamans could not completely adjust their dresses because they should be able to wear multiple pieces of Mongdoori at once in the dance symbolizing their ancestor spirits and take them off in the manner of divine conversion. Therefore, a band worn around Mongdoori became unnecessary and a part of the configuration of shaman's costume seemed to be disappeared.

참고자료

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