《河神》IP中的志怪传统与话本风格——以小说《河神•鬼水怪谈》与网剧《河神》为研究对象 (The mystery traditions and style of Script for story-telling In The story of River god-- taking the novel river god and the network drama river god as the research object)

서지정보

· 발행기관 : 한국중국학회
· 수록지 정보 : 중국학보 / 87호 / 107 ~ 127페이지
· 저자명 : 왕남

초록

本文以小說《河神·鬼水怪談》與網劇《河神》爲研究對象，分析了《河神》IP中的志怪傳統與話本風格。小說《河神·鬼水怪談》對志怪傳統的繼承通過物老成精的思想、民間古樸的世界觀、多樣的敘事元素、多樣的奇異風俗等四個方面表現出來。而小說《河神·鬼水怪談》對話本風格的呈現則主要體現在對話本結構的模仿和對話本語言的模仿。網劇《河神》雖然改編自小說《河神·鬼水怪談》，但並沒有拘泥於原著，而是進行了更適合影視化表現的改編。劇情上，網劇爲了集中矛盾，將故事進行了簡化，將全劇的主要矛盾變成了代表邪教魔古道勢力的連化青與與代表正義的郭得友之間的矛盾。在人物方面，網劇重新組成了兩對具有戲劇性沖突的情侶——代表傳統文化的小河神與小神婆與代表新文化的留洋法醫與女記者。

영어초록

This paper analyzes the mystery traditions and style of Script for story-telling in the story of River god taking the novel river god and the network drama river god as the research object. The novel river god reflects the idea that old things become monsters, the world view of the primitive folk, various narrative elements, local strange customs. The style of the Script for story-telling in the novel river god is mainly reflected in the imitation of the structure of the dialogue and the language of the dialogue. Although the drama river god is adapted from the novel river god ，however, it is not bound by the original work, but a more suitable adaptation. On the plot, the network drama in order to focus on contradictions, the story has been simplified,it turns the main contradiction of the whole drama into the contradiction between cult and justice. In terms of characters, online drama has reconstituted two couples with dramatic conflicts.

참고자료

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