만다라도상체계에 의한 석굴암공간체계 분석 (An Analysis of Seoc-kul-am Space System on a Mandala Figure Organization)

서지정보

· 발행기관 : 대한건축학회
· 수록지 정보 : 대한건축학회논문집 / 25권 / 5호 / 183 ~ 192페이지
· 저자명 : 김버들, 조정식

초록

Based on the assumption that the space structure of Seokbul-temple is deeply related to the iconographic system of Mandala,
this study investigated the relation between Mandala and Seokbul-temple by comprehensively examining the iconographic factors
of Mandala and the structural factors of Seokbul-temple. First, Mandala refers to the two-dimensional painting that expresses the
doctrine of esoteric Buddhism based on the grid system. It starts from absolute order called grid and embodies various
symbologies. Second, Seokbul-temple is composed of two separate Mandalas. Applying the core factors of Mandala, the grid
system and symbology, to the overall structure of Seokbul-temple found that the two Mandalas, each of that represents a
complete small universe, constitutes a complementary structural system in terms of contrasting relations, such as circle and
square, and center and process. Third, in the circle-shaped latter space, the basic icons of Mandala, circles and triangles, form
the symmetrical structure with a square being a boundary. At figures' crossing point stand bodhisattvas, disciples of Buddha,
and the Bodhisattva of compassion surrounding Sakyamuni. The arrangement of Boddha and bodhisattvas follows the
symmetrical, directional, and central features of the iconographic system of Mandala to secure the intensive concentration on
Sakyamuni in the center and embody the perfect order of Mandala on earth. Fourth, the former space composed of the
rectangle-shaped space and narrow corridor shows the features of separate Madara and the features of process space to central
space. The former space with corridor, the square-shaped space based on 8×8 grid and strict module, strongly presents direction
to the circle-shaped latter space. Especially, the grid system of Mandala and the Oriental Pythagorean theory of Silla are also
applied to the former space, indicating that the constructor's intention to bestow both functionality and symbology to the former
space.

영어초록

Based on the assumption that the space structure of Seokbul-temple is deeply related to the iconographic system of Mandala,
this study investigated the relation between Mandala and Seokbul-temple by comprehensively examining the iconographic factors
of Mandala and the structural factors of Seokbul-temple. First, Mandala refers to the two-dimensional painting that expresses the
doctrine of esoteric Buddhism based on the grid system. It starts from absolute order called grid and embodies various
symbologies. Second, Seokbul-temple is composed of two separate Mandalas. Applying the core factors of Mandala, the grid
system and symbology, to the overall structure of Seokbul-temple found that the two Mandalas, each of that represents a
complete small universe, constitutes a complementary structural system in terms of contrasting relations, such as circle and
square, and center and process. Third, in the circle-shaped latter space, the basic icons of Mandala, circles and triangles, form
the symmetrical structure with a square being a boundary. At figures' crossing point stand bodhisattvas, disciples of Buddha,
and the Bodhisattva of compassion surrounding Sakyamuni. The arrangement of Boddha and bodhisattvas follows the
symmetrical, directional, and central features of the iconographic system of Mandala to secure the intensive concentration on
Sakyamuni in the center and embody the perfect order of Mandala on earth. Fourth, the former space composed of the
rectangle-shaped space and narrow corridor shows the features of separate Madara and the features of process space to central
space. The former space with corridor, the square-shaped space based on 8×8 grid and strict module, strongly presents direction
to the circle-shaped latter space. Especially, the grid system of Mandala and the Oriental Pythagorean theory of Silla are also
applied to the former space, indicating that the constructor's intention to bestow both functionality and symbology to the former
space.

참고자료

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