부드러운 마티에르1)의 형태화에 의한 조각의 변모

서지정보

· 발행기관 : 한국조형교육학회
· 수록지 정보 : 조형교육 / 44권
· 저자명 : 박숙영

목차

I. 서론
II. 형태의 불확정성
III. 과정으로서의 조각
1. 자연 환경의 개입
2. 재료와 행위의 통합
IV. 수직적 건립의 와해
V. 결론
※ 참고문헌
※ ABSTRACT

초록

Soft mati?re occupies the history of a informal form in sculpture art. Soft
mati?re creates its own flexible and informal form. An informal form is made by
the environmental conditions of a place where works are placed and the acts
applied to the materials. This accidental form is composed of ‘process’ which is
made, or simultaneously transformed or becomes extinct in the current time.
‘Process’ is the result form accepting ‘hazard' which has been excluded in art as
the parameters for creation. ‘Process’ transforms the definition of sculpture -
permanent and definitive form - to a temporary and variable form. It creates new
concept of sculpture ‘sculpture as process’ which is beyond the conventional
definition of sculpture, completed objects.
An informal form is made by an installation method. When a sculpture is
placed on the floor, balance is obtained and when a sculpture is hung on the
ceiling or the walls, an unplanned form is made by gravity. An informal form in
which a production space becomes an exhibition space expands to an
environmental space encompassing walls, air space, and ground, breaking from the
limitation of a space, a pedestal, and dismantles the traditional construction method
‘vertical construction’. Thus, the sculptures formed by soft mati?re request artists
for their exploration and understanding about potential expression, operating
conditions for hazard, installation methods, and the environment of a place where
the works are placed and ask questions about several conventions relating to
sculpture art such as the emphasis of act, the involvement of spectators, and the
collection and the preservation of works rather than the creation of objects,
know-hows for producing forms, and the creation of forms.

영어초록

Soft mati?re occupies the history of a informal form in sculpture art. Softmati?re creates its own flexible and informal form. An informal form is made bythe environmental conditions of a place where works are placed and the actsapplied to the materials. This accidental form is composed of ‘process’ which ismade, or simultaneously transformed or becomes extinct in the current time.‘Process’ is the result form accepting ‘hazard' which has been excluded in art asthe parameters for creation. ‘Process’ transforms the definition of sculpture -permanent and definitive form - to a temporary and variable form. It creates newconcept of sculpture ‘sculpture as process’ which is beyond the conventionaldefinition of sculpture, completed objects.An informal form is made by an installation method. When a sculpture isplaced on the floor, balance is obtained and when a sculpture is hung on theceiling or the walls, an unplanned form is made by gravity. An informal form inwhich a production space becomes an exhibition space expands to anenvironmental space encompassing walls, air space, and ground, breaking from thelimitation of a space, a pedestal, and dismantles the traditional construction method‘vertical construction’. Thus, the sculptures formed by soft mati?re request artistsfor their exploration and understanding about potential expression, operatingconditions for hazard, installation methods, and the environment of a place wherethe works are placed and ask questions about several conventions relating tosculpture art such as the emphasis of act, the involvement of spectators, and thecollection and the preservation of works rather than the creation of objects,know-hows for producing forms, and the creation of forms.

참고자료

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