[영문Report] 자본주의가 `문화산업`에 끼치는 영향 _What happens when culture becomes market driven?

소개

문화산업은 자본주의에 의해 질이 떨어지는가? : 테오도르 아도르노의 비판이론에 대하여 (Is Culture Industry Being Debased by Capitalism? : Review of Adorno’s Critical Theory)
영화, 음악, 미술, 공연 등 우리가 접하는 문화상품들이 과거에 비해 더욱 자본과 시장원리에 의하여 주도되고 있는 것이 사실입니다. 대학생으로서 이러한 현상에 대한 비판적인 시각을 가져보고, 문화산업에 대해 가장 비판적이었던 아도르노의 철학을 살펴봄으로써 문화산업의 현재와 미래를 재조명해보고자 하였습니다.

목차

Introduction
Use of the Term Culture and Cultural Industry in this Text
The Market of Culture
Is Culture Being Driven by Market?
Before & After the Culture is Market Driven
From Patronage to Cultural Industry of Popular Tastes
Cultural Industry and the Critical Theory
What the Critical Theory Means Today
From Cultural Market to Captalised Cultural Market
Cultural Industry Dominated by Capitalism
Conclusion - New Cultural Species

본문내용

Nowadays, when people are asked about their cultural activity, it is very natural to mention about going to the movies, listening recorded music, reading books or at most going to more expensive performances. It is surely accepted that today’s cultural activities generally revolve around these intentionally created cultural sites. Compared to the past, what is changed in current culture underneath these ‘unnatural’ cultural activities? And where is it going? To find answers to these questions, this essay will first examine the concept ‘market driven culture’ and compare the past and the present of cultural market. After that, this essay continues to discuss about existing theories about cultural industry and will evaluate the present and the future of cultural industry in relation to the capitalism.

Use of the Term Culture and Cultural Industry in this Text

It is impossible to define ‘culture’ with several words. It might be said that culture is a meaningfully patterned character of social life and action; which can be known by different people with different meanings. Due to its wide range of definition, it is essential to confine the meaning of culture into what this essay will discuss.
First,

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