카카오 이모티콘에서 나타나는 명화의 패러디 연구 (A study on the Parodies of Celebrates Pictures Appearing in Kakao Emoticons)

서지정보

· 발행기관 : 한국상품문화디자인학회
· 수록지 정보 : 상품문화디자인학연구 / 50호 / 73 ~ 89페이지
· 저자명 : 오세권

초록

This study examines the parodies celebrated pictures appearing in the emoticons of Kakao, a domestic mobile messenger company. Emoticons mean ‘visual symbols that express and convey emotions’, which are ‘emotional symbols’ as well as ‘cultural symbols.’ Emoticons appeared in the United States in the 1980s and began to be utilized in earnest in South Korea in the 1990s when chatting through the Internet and PC communications became popular.
From the beginning of the 2000s, diverse emoticons have been used through mobile phones, etc., and the designs have been developed drastically.
A parody is defined as a ‘methodical citation.’ It is citing an existing work to express it with new creativity with a certain intention. It is not only understood in the narrow sense of ridiculing the original work but also understood in the expanded sense of a respectful expression of respect.
Based on the results of analysis of the parodies utilizing celebrated pictures appearing in the emoticons of Kakao, a total of 48 emoticons parodied celebrated pictures such as Da Vinci's <Mona Lisa> and E. Munch's <The Scream>.
Among them, the emoticon that parodied <The Gleaners> of Millet that ‘It is difficult to eke out a living.’ The emoticon that parodied <Judith> of Klimt parodied a woman with a mind to pour out laughter and tears simultaneously and the emoticon that parodied the <Le Joueur de fifre> of Manet expresses the emotion, ‘What does matter in life? I will just live pleasantly until I die.’ The emoticon that parodied the <Self Portrait> of van Gogh parodied a good feeling after obtaining gains. The emoticon that parodied the <Tahiti Women on the Beach> of Gauguin expressed the emotion, ‘I am not in a mood to laugh now.’

영어초록

This study examines the parodies celebrated pictures appearing in the emoticons of Kakao, a domestic mobile messenger company. Emoticons mean ‘visual symbols that express and convey emotions’, which are ‘emotional symbols’ as well as ‘cultural symbols.’ Emoticons appeared in the United States in the 1980s and began to be utilized in earnest in South Korea in the 1990s when chatting through the Internet and PC communications became popular.
From the beginning of the 2000s, diverse emoticons have been used through mobile phones, etc., and the designs have been developed drastically.
A parody is defined as a ‘methodical citation.’ It is citing an existing work to express it with new creativity with a certain intention. It is not only understood in the narrow sense of ridiculing the original work but also understood in the expanded sense of a respectful expression of respect.
Based on the results of analysis of the parodies utilizing celebrated pictures appearing in the emoticons of Kakao, a total of 48 emoticons parodied celebrated pictures such as Da Vinci's <Mona Lisa> and E. Munch's <The Scream>.
Among them, the emoticon that parodied <The Gleaners> of Millet that ‘It is difficult to eke out a living.’ The emoticon that parodied <Judith> of Klimt parodied a woman with a mind to pour out laughter and tears simultaneously and the emoticon that parodied the <Le Joueur de fifre> of Manet expresses the emotion, ‘What does matter in life? I will just live pleasantly until I die.’ The emoticon that parodied the <Self Portrait> of van Gogh parodied a good feeling after obtaining gains. The emoticon that parodied the <Tahiti Women on the Beach> of Gauguin expressed the emotion, ‘I am not in a mood to laugh now.’

참고자료

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