랜드스케이프 건축적 측면에서 본 장소성 표현 양상에 관한 연구 - 동대문월드디자인파크 & 컴플렉스 국제현상설계를 중심으로 - (A Study on the Tendency of the Expression of Placeness from a Landscape Architectural Perspective - Focused on the International Competition for Dongdeamun World Design Park & Complex -)

서지정보

· 발행기관 : 한국문화공간건축학회
· 수록지 정보 : 한국문화공간건축학회논문집 / 25호 / 127 ~ 136페이지
· 저자명 : 이옥정, 전한종

초록

The works demolishing the boundary between city and nature began to appear in an attempt to fulfill the programs for indeterminate and diverse needs of our contemporary society and in an effort to refuse the dichotomized expressions of the modern architecture. Such works have been explained as 'landscape architecture'. Architecture began to play a role in recovering the meaning of the terra and its local value lost due to modernism. Namely, 'landscape architecture' is being highlighted as method of or role for such recovery. In a similar vein, the concept of placeness began to show up in the urban architecture in mid-20th century in order to establish a new relationship between environment and men forgotten in the modern architecture. History, culture and environment of a city are not created by buildings or historic relics as one or two objects but materialized by urban dwellers' life contained therein, forms as urban contexts and placeness therein. These two concepts of architecture began to show up as reaction to the uniform and dichotomized tendency of the modern architecture.
The purpose of this study was to analyze the tendency of expression of placeness shown in the works submitted to the international competition for Dongdeamun World Design Park & Complex and thereupon, determine how our contemporary architects interpret the concept of placeness and express it in their landscape architecture.
Lately, the Korean architecture has shown too pluralistic tendencies. This study focusing on expressions of placeness from the perspective of the landscape architecture may well be significant at this moment when the Korean architecture is being pluralized, because it reminds us of the essential value of architecture or 'place' and thereby, suggests some alternatives to find our own architectural language.

영어초록

The works demolishing the boundary between city and nature began to appear in an attempt to fulfill the programs for indeterminate and diverse needs of our contemporary society and in an effort to refuse the dichotomized expressions of the modern architecture. Such works have been explained as 'landscape architecture'. Architecture began to play a role in recovering the meaning of the terra and its local value lost due to modernism. Namely, 'landscape architecture' is being highlighted as method of or role for such recovery. In a similar vein, the concept of placeness began to show up in the urban architecture in mid-20th century in order to establish a new relationship between environment and men forgotten in the modern architecture. History, culture and environment of a city are not created by buildings or historic relics as one or two objects but materialized by urban dwellers' life contained therein, forms as urban contexts and placeness therein. These two concepts of architecture began to show up as reaction to the uniform and dichotomized tendency of the modern architecture.
The purpose of this study was to analyze the tendency of expression of placeness shown in the works submitted to the international competition for Dongdeamun World Design Park & Complex and thereupon, determine how our contemporary architects interpret the concept of placeness and express it in their landscape architecture.
Lately, the Korean architecture has shown too pluralistic tendencies. This study focusing on expressions of placeness from the perspective of the landscape architecture may well be significant at this moment when the Korean architecture is being pluralized, because it reminds us of the essential value of architecture or 'place' and thereby, suggests some alternatives to find our own architectural language.

참고자료

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