김광섭 초기시의 낭만적 특성 연구 - 환상과 유토피아를 중심으로 - (A Study on Romanticism in Early Poems of Kim, Gwang Sub (김광섭): Focusing on Fantasy and Utopia)

서지정보

· 발행기관 : 한국어교육학회
· 수록지 정보 : 국어교육 / 132호 / 227 ~ 248페이지
· 저자명 : 박호영

초록

Although Kim, Gwang Sub confessed himself about the influence of English Romanticism in his works several times, his romantic vision has not been thoroughly researched. The reasons include Kim’s ideological impressions which were revealed in most of his poems, and his national and resistant activities under the Japanese Imperialism such as the denial of the established social system and the experience of imprison which relatively put his romantic poems in the shade. Above all, his poetic vision has not been studied by focusing on fantasy and utopia. As Kim’s early poems notably contain his romantic vision, and fantasy and utopia are essential for studying it, his romantic vision in early poems should be studied on the basis of the concepts of fantasy and utopia.
Kim wrote a poem titled Fantasy and mentioned the word in several poems. The concept of utopia is also presented as spatial background such as ‘sea’ and ‘house'. His fantasy and utopia are based on the liberation from the reality of colonization like other poets in 1930s including Kim,Young Rang, Lim, Hak Soo and Jang, Man Young. Although Kim recognized the impossibility of realizing dream and ideal, he pursued the world of romantic irony through fantasy where dream and ideal exist.
Darkness and night which connote upcoming morning are fantasized in Kim’s poems with the influence of Shelley’s idealism. In addition, his utopia contains the pursuits of past-orientation and future-orientation. The appearance of ‘sea’ is the element showing his past-orientation that he seemed to have nostalgia for his plentiful hometown in the seaside. Kim’s future-orientation is appeared in ‘country’ or ‘house’ that those places mean beautiful world away from the reality which he cannot ultimately reach.
As Kim’s poetic vision through fantasy and utopia under the Japanese Imperialism has essence in the liberation from the reality, it can be explained as the response against Japan. In this sense, his vision contains the periodic value. Generally, Kim is often called as a national and resistant poet because of his experiences like imprisonment. This way of interpretation is understandable. However, by closely considering his romantic vision, Kim’s poetic vision will be completely revealed and so a balanced view on Kim’s poems is successfully established in the history of Korean poetry. This is the aim of this paper focusing on fantasy and utopia in Kim's early poems.

영어초록

Although Kim, Gwang Sub confessed himself about the influence of English Romanticism in his works several times, his romantic vision has not been thoroughly researched. The reasons include Kim’s ideological impressions which were revealed in most of his poems, and his national and resistant activities under the Japanese Imperialism such as the denial of the established social system and the experience of imprison which relatively put his romantic poems in the shade. Above all, his poetic vision has not been studied by focusing on fantasy and utopia. As Kim’s early poems notably contain his romantic vision, and fantasy and utopia are essential for studying it, his romantic vision in early poems should be studied on the basis of the concepts of fantasy and utopia.
Kim wrote a poem titled Fantasy and mentioned the word in several poems. The concept of utopia is also presented as spatial background such as ‘sea’ and ‘house'. His fantasy and utopia are based on the liberation from the reality of colonization like other poets in 1930s including Kim,Young Rang, Lim, Hak Soo and Jang, Man Young. Although Kim recognized the impossibility of realizing dream and ideal, he pursued the world of romantic irony through fantasy where dream and ideal exist.
Darkness and night which connote upcoming morning are fantasized in Kim’s poems with the influence of Shelley’s idealism. In addition, his utopia contains the pursuits of past-orientation and future-orientation. The appearance of ‘sea’ is the element showing his past-orientation that he seemed to have nostalgia for his plentiful hometown in the seaside. Kim’s future-orientation is appeared in ‘country’ or ‘house’ that those places mean beautiful world away from the reality which he cannot ultimately reach.
As Kim’s poetic vision through fantasy and utopia under the Japanese Imperialism has essence in the liberation from the reality, it can be explained as the response against Japan. In this sense, his vision contains the periodic value. Generally, Kim is often called as a national and resistant poet because of his experiences like imprisonment. This way of interpretation is understandable. However, by closely considering his romantic vision, Kim’s poetic vision will be completely revealed and so a balanced view on Kim’s poems is successfully established in the history of Korean poetry. This is the aim of this paper focusing on fantasy and utopia in Kim's early poems.

참고자료

· 없음