韓․中 소설에 있어서의 ‘江上-水賊殺夫占妻’ 서사유형의 變異樣相 - 「蘇知縣羅衫再合」과 한국 번안작품 「월봉산기」를 중심으로 (A Transition Aspect of narrative type of Gangsang-sujeoksalbujeomcheo on Korean and Chinese novel - Focusing on Sojihyeonrasamjaehap and it's adapted Korean novel )

서지정보

· 발행기관 : 한국비교문학회
· 수록지 정보 : 비교문학 / 53호 / 287 ~ 318페이지
· 저자명 : Li Hua

초록

This research is designed to examine closely the homogeneity and heterogeneity between Korean and Chinese works which have same type of narrative works and look for the cultural consciousness and emotional characteristics of Korea and China people to become a form of the such difference focusing on the formation process of narrative type of Gangsang- sujeoksalbujeomcheo and Sojihyeonrasamjaehap and it's adapted novel <Wolbongsangi> which had transmitted from Tang age.
Firstly, the female character formation to keep the fidelity and the ending of the family drop scene on original Sojihyeonrasamjaehap in detail has been reflected in Korean adapted novels.
Under the influence of Juza Sung Confucianism, the Code of Conduct about female fidelity may be said the absolute in Ming dynasty in China and Joseon dynasty and more emphasis of it could have been put in Korean adapted novels. it suggest that the influence of tradition would have had great impact in Korea which the ethics is acted in a far more narrow limit rather than China.
In the conclusion, even though all conclusion in Korea and China novels take a the form of a happy ending, but it has shown difference in concrete fact. If the Sojihyeonrasamjaehap has shown the reality, Korea adapted novels can be said the crystal of reality and fantasy. Even if this might be associated with some degree literal customary at that time, I think it might be said Korean national sentiment are more optimistic and romantic.
Secondly, the Cheonggwan referred in general as fair and integrity officer in China history. In ancient society which social order was in chaos, the Cheonggwan were the heroes of the people inside. Such real hero of the adaption is depicted as a surreal hero on Korea adapted novels. It can be said it originated from the characteristics of the Korean and Chinese works.
The Sojihyeonrasamjaehap belongs to citizens literature which reflect the affairs and situation of the world of its citizens. He developed the story in reality, and accordingly reflects the theme of enlightenment. Heroes biographies in Korean adapted novels has a means that the universal sentiment of the people wish to forget momentarily the reality of the pains and to enjoy the absolute happiness can be read by entrusting to surreal character in literature.
Thirdly, 'Do not live with parents enemy in the same sky' is a principle of blood revenge which was established in Confucianism. Such revenge idea was already formed a popular culture psychology and often appeared in the subject of ancient Chinese literary works. Relatively such revenge idea become appeared increasingly blurred and favor tolerance in later works of Korean adapted works. More emphasis on humaneness about forgiveness for sinners in the adaptation of Korean works can be seen as due to Korean traditional way of thinking to emphasize on tolerance and reconciliation. The interesting thing is that the visible signs of tolerance which was shown on Korean adapted works appeared on Chinese adapted works.
From this, even though there is a difference on national sentiments and ideas about revenge, we can see the likeness between Korea and China nation to draw a realistic appearance to conflict and suffer at the crossroads on favor and revenge according to the changes of the time.

영어초록

This research is designed to examine closely the homogeneity and heterogeneity between Korean and Chinese works which have same type of narrative works and look for the cultural consciousness and emotional characteristics of Korea and China people to become a form of the such difference focusing on the formation process of narrative type of Gangsang- sujeoksalbujeomcheo and Sojihyeonrasamjaehap and it's adapted novel <Wolbongsangi> which had transmitted from Tang age.
Firstly, the female character formation to keep the fidelity and the ending of the family drop scene on original Sojihyeonrasamjaehap in detail has been reflected in Korean adapted novels.
Under the influence of Juza Sung Confucianism, the Code of Conduct about female fidelity may be said the absolute in Ming dynasty in China and Joseon dynasty and more emphasis of it could have been put in Korean adapted novels. it suggest that the influence of tradition would have had great impact in Korea which the ethics is acted in a far more narrow limit rather than China.
In the conclusion, even though all conclusion in Korea and China novels take a the form of a happy ending, but it has shown difference in concrete fact. If the Sojihyeonrasamjaehap has shown the reality, Korea adapted novels can be said the crystal of reality and fantasy. Even if this might be associated with some degree literal customary at that time, I think it might be said Korean national sentiment are more optimistic and romantic.
Secondly, the Cheonggwan referred in general as fair and integrity officer in China history. In ancient society which social order was in chaos, the Cheonggwan were the heroes of the people inside. Such real hero of the adaption is depicted as a surreal hero on Korea adapted novels. It can be said it originated from the characteristics of the Korean and Chinese works.
The Sojihyeonrasamjaehap belongs to citizens literature which reflect the affairs and situation of the world of its citizens. He developed the story in reality, and accordingly reflects the theme of enlightenment. Heroes biographies in Korean adapted novels has a means that the universal sentiment of the people wish to forget momentarily the reality of the pains and to enjoy the absolute happiness can be read by entrusting to surreal character in literature.
Thirdly, 'Do not live with parents enemy in the same sky' is a principle of blood revenge which was established in Confucianism. Such revenge idea was already formed a popular culture psychology and often appeared in the subject of ancient Chinese literary works. Relatively such revenge idea become appeared increasingly blurred and favor tolerance in later works of Korean adapted works. More emphasis on humaneness about forgiveness for sinners in the adaptation of Korean works can be seen as due to Korean traditional way of thinking to emphasize on tolerance and reconciliation. The interesting thing is that the visible signs of tolerance which was shown on Korean adapted works appeared on Chinese adapted works.
From this, even though there is a difference on national sentiments and ideas about revenge, we can see the likeness between Korea and China nation to draw a realistic appearance to conflict and suffer at the crossroads on favor and revenge according to the changes of the time.

참고자료

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