경성 동부 문화주택지 개발의 성격과 의미 (The Development of Culture Villages in Eastern Keijyo(Seoul))

서지정보

· 발행기관 : 서울시립대학교 서울학연구소
· 수록지 정보 : 서울학연구 / 37호 / 47 ~ 82페이지
· 저자명 : 이경아

초록

This paper aims to examine the development of Culture Villages in Eastern
Keijyo(Seoul) during the Japanese colonial period. The number of population
increases rapidly, the area of Seoul enlarged and the influx of foreign house culture
into Korea occurred in earnest with the concept of Culture House in the 1920s. The
'Big Keijyo' project began to make a progress in eastern Keijyo.
In addition, people could have a lot of experience on foreign culture and get the
latest fashion through exhibitions, department stores and mass media. The concept of
Culture House flowed into Korea under the rule of Japanese Imperialism. Culture
houses were introduced as "Ideal House" and "Brand-New House" though media like
magazines and newspaper. Exhibitions such as the 1922 Culture House Drawing
Exhibition and the Culture House Display in the 1929 Joseon Exposition were held
in Seoul and introduced people what was a Culture House. Many Culture Houses
were erected with Culture Village developments named "Suburbs" around the
boundary of Seoul. Culture Villages were planned into the high-class residential area, providing piped water, gas, and roads and went up for sale at a high price and introduced as "Ideal Residential Area" and "Love Nest". The first Culture Village was developed in the part of Eastern Keijyo and it was a start to make a boom for the
development of Culture Villages around Keijyo.
Culture Villages changed the image of Eastern Keijyo. There were a lot of mud
huts and graves before developing Culture Villages in Eastern Keijyo. Culture Villages
having brand-names like such-and-such 'garden', 'villa', 'height', 'hill' or 'village',
however, were developed and came into the spotlight and introduced as fascinating
places for the high-class. But the poor quarters had to be cleared away to make "Ideal
Residential Area". The poor people had to be deprived of living space and expel from
the city. Sakuragaoka, one of Culture Villages in eastern Keijyo, was made as a Ideal
City before the expansion of the city limits in the late 1930s and an example for the
subsequent residential area around the city.
Eventually, Culture Villages began as an experiment stand for Japanese with the
background of the reality of a colony. The concept of Culture House, having the social power and novelty, showed a dark turn of a colony and left the independent image of house on Korean people while it had a disproportionately large impact on changes of Korean urban housing. In the amid of the change, there was Eastern Keijyo.

영어초록

This paper aims to examine the development of Culture Villages in Eastern
Keijyo(Seoul) during the Japanese colonial period. The number of population
increases rapidly, the area of Seoul enlarged and the influx of foreign house culture
into Korea occurred in earnest with the concept of Culture House in the 1920s. The
'Big Keijyo' project began to make a progress in eastern Keijyo.
In addition, people could have a lot of experience on foreign culture and get the
latest fashion through exhibitions, department stores and mass media. The concept of
Culture House flowed into Korea under the rule of Japanese Imperialism. Culture
houses were introduced as "Ideal House" and "Brand-New House" though media like
magazines and newspaper. Exhibitions such as the 1922 Culture House Drawing
Exhibition and the Culture House Display in the 1929 Joseon Exposition were held
in Seoul and introduced people what was a Culture House. Many Culture Houses
were erected with Culture Village developments named "Suburbs" around the
boundary of Seoul. Culture Villages were planned into the high-class residential area, providing piped water, gas, and roads and went up for sale at a high price and introduced as "Ideal Residential Area" and "Love Nest". The first Culture Village was developed in the part of Eastern Keijyo and it was a start to make a boom for the
development of Culture Villages around Keijyo.
Culture Villages changed the image of Eastern Keijyo. There were a lot of mud
huts and graves before developing Culture Villages in Eastern Keijyo. Culture Villages
having brand-names like such-and-such 'garden', 'villa', 'height', 'hill' or 'village',
however, were developed and came into the spotlight and introduced as fascinating
places for the high-class. But the poor quarters had to be cleared away to make "Ideal
Residential Area". The poor people had to be deprived of living space and expel from
the city. Sakuragaoka, one of Culture Villages in eastern Keijyo, was made as a Ideal
City before the expansion of the city limits in the late 1930s and an example for the
subsequent residential area around the city.
Eventually, Culture Villages began as an experiment stand for Japanese with the
background of the reality of a colony. The concept of Culture House, having the social power and novelty, showed a dark turn of a colony and left the independent image of house on Korean people while it had a disproportionately large impact on changes of Korean urban housing. In the amid of the change, there was Eastern Keijyo.

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