나전 줄음질기법의 제작공정과 용어의 정립 (The establishment about the manufacture process and terminology of the Juleumjil’s technique in the mother-of-pearl)

서지정보

· 발행기관 : 사단법인 한국조형디자인협회
· 수록지 정보 : 조형디자인연구 / 12권 / 1호 / 111 ~ 128페이지
· 저자명 : 이광웅

초록

The mother-of-pearl lacquer represents Korean traditional lacquerer arts and Juleumjil’s technique is the representative skill in the mother-of-pearl lacquer. Nacre is not only the common notation used in Asia such as Korea, China, Japan but also the industrial material used plentifully. Besides, it has gotten on the track as the representative lacquerer arts genre and the superiority of artistry and production technique is known rightly world-wide.
The origin of the mother-of-pearl lacquer is presumed that is started from around 1st century before era and had been decorated with Ottchil until before the period of the three states. However, it had been attached to seven sides to decorate that gold plate, gold foil, buprestid’s back bark, glass etc not the Ottchil from the period of the three states. I think that Juleumjil’s technique is to attatch Nacre which is cut to lacquer ware and the one in the period of the three state is the origin of the Juleumjil’s technique. The technique of th Nacre and Pyeong-Tal techniques was appeared in the period of the Unified Silla, which was very famous at that time. But Goryeo Nacre which character was stylish, noble, fully refined and ripened was emerged. It was the unique technique based on the fabulous pattern, the harmony of the materials. At Joseon’s period, free pattern was showed like simple and popular, even humorous. Nacre and Juleumjil’s technique has been used widely and popularly from the middle of Jeseon age until now.
We can find that almost of the remains that was made with the mother-of-pearl lacquer was produced with Juleumjil’s technique. Juleumjil is the technique to make pattern which was cut with a fret saw, scissor, knife. At that time they surely used the awl or needle etc.
Around the 1900 year, the inflow of awl changed Juleumjil’s technique dramatically. At the end of 1970’s, the invention of machine for cutting Nacre could make the start of the mechanization.
However, the data about Juleumjil’s technique such as terminology, technique etc is wholly lacking. Until now, the research and historical consideration has been done many times, but general research like material, process, skill has been remained nothing.
The research below tried to investigate changing process etc. from historical creation of our traditional technique, Juleumjil and not only to establish technique but also terminology such as incorrect work process etc. between artisans. As a result, lots of different process and terminology was found between them so that I tried to establish work process and terminology with using statistics.
I wish that the research below could help give a little more opportunity to be more scientific and objective, logical to others. Moreover, the research now can help a little not only succeed to the value of arts and the superiority of technique but also develop in Korean the mother-of-pearl lacquer.

영어초록

The mother-of-pearl lacquer represents Korean traditional lacquerer arts and Juleumjil’s technique is the representative skill in the mother-of-pearl lacquer. Nacre is not only the common notation used in Asia such as Korea, China, Japan but also the industrial material used plentifully. Besides, it has gotten on the track as the representative lacquerer arts genre and the superiority of artistry and production technique is known rightly world-wide.
The origin of the mother-of-pearl lacquer is presumed that is started from around 1st century before era and had been decorated with Ottchil until before the period of the three states. However, it had been attached to seven sides to decorate that gold plate, gold foil, buprestid’s back bark, glass etc not the Ottchil from the period of the three states. I think that Juleumjil’s technique is to attatch Nacre which is cut to lacquer ware and the one in the period of the three state is the origin of the Juleumjil’s technique. The technique of th Nacre and Pyeong-Tal techniques was appeared in the period of the Unified Silla, which was very famous at that time. But Goryeo Nacre which character was stylish, noble, fully refined and ripened was emerged. It was the unique technique based on the fabulous pattern, the harmony of the materials. At Joseon’s period, free pattern was showed like simple and popular, even humorous. Nacre and Juleumjil’s technique has been used widely and popularly from the middle of Jeseon age until now.
We can find that almost of the remains that was made with the mother-of-pearl lacquer was produced with Juleumjil’s technique. Juleumjil is the technique to make pattern which was cut with a fret saw, scissor, knife. At that time they surely used the awl or needle etc.
Around the 1900 year, the inflow of awl changed Juleumjil’s technique dramatically. At the end of 1970’s, the invention of machine for cutting Nacre could make the start of the mechanization.
However, the data about Juleumjil’s technique such as terminology, technique etc is wholly lacking. Until now, the research and historical consideration has been done many times, but general research like material, process, skill has been remained nothing.
The research below tried to investigate changing process etc. from historical creation of our traditional technique, Juleumjil and not only to establish technique but also terminology such as incorrect work process etc. between artisans. As a result, lots of different process and terminology was found between them so that I tried to establish work process and terminology with using statistics.
I wish that the research below could help give a little more opportunity to be more scientific and objective, logical to others. Moreover, the research now can help a little not only succeed to the value of arts and the superiority of technique but also develop in Korean the mother-of-pearl lacquer.

참고자료

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