영화에 나타난 가족 서사 연구 ― 2000년대 이후 한국영화에 나타난 ‘아버지의 법’과 ‘죽은 자식’의 계열화 양상을 중심으로 (A Study on the Family-narrative Feature in the Movies : Focusing on Aspects of Making Series with ‘the Law of Father’ and ‘the Death of Young Child’ since 2000 Korean Movies)

서지정보

· 발행기관 : 현대문학이론학회
· 수록지 정보 : 현대문학이론연구 / 36호 / 313 ~ 336페이지
· 저자명 : 신종곤

초록

The purpose of this essay is to observe the new aspects of 2000's
Korean familism-films. The characteristics of new aspects are related to ‘the
death of a young child’ and ‘the law of father’. The films attempt to fill
‘father's absence’ with new ‘law of father’.
[A Good Law's Wife](2003) directed by Lim Sang-soo is the declaration
which deprives father's position. Because this father caused to kill his
young child. This film is the text that becomes the premise following films.
[The Host](2006) directed by Bong Jun-ho express anxiety of father'
status. Despite protect his family by regained the strength, his power is too
weak in qualified national power hierarchy.
[Antarctic Journal](2005) directed by Lim Pil-seong materialize the shape
of father who is to justify his own fault. His attempt to justify fails.
Because his tries repeats the result of child sacrifices. His recognition
without reflective thinking leads to destruction of the family.
『Secret Sunshine』(2007) directed by Lee Chang-dong shows the
father's desire to replace a manifestation of the transition. To fill the
absence of the father with transcendental signifiant, to expose depressed
realty of subject suppressed by signifiant.
Theses movies have antinomy attitude about ‘the law of father’. These
narratives are blamed for the death of child by father, On the other hand
still want to admit the law of father. Consequently the narratives of these films express forms of ‘anxiety’, ‘incapacity’ and ‘dissatisfaction’.

영어초록

The purpose of this essay is to observe the new aspects of 2000's
Korean familism-films. The characteristics of new aspects are related to ‘the
death of a young child’ and ‘the law of father’. The films attempt to fill
‘father's absence’ with new ‘law of father’.
[A Good Law's Wife](2003) directed by Lim Sang-soo is the declaration
which deprives father's position. Because this father caused to kill his
young child. This film is the text that becomes the premise following films.
[The Host](2006) directed by Bong Jun-ho express anxiety of father'
status. Despite protect his family by regained the strength, his power is too
weak in qualified national power hierarchy.
[Antarctic Journal](2005) directed by Lim Pil-seong materialize the shape
of father who is to justify his own fault. His attempt to justify fails.
Because his tries repeats the result of child sacrifices. His recognition
without reflective thinking leads to destruction of the family.
『Secret Sunshine』(2007) directed by Lee Chang-dong shows the
father's desire to replace a manifestation of the transition. To fill the
absence of the father with transcendental signifiant, to expose depressed
realty of subject suppressed by signifiant.
Theses movies have antinomy attitude about ‘the law of father’. These
narratives are blamed for the death of child by father, On the other hand
still want to admit the law of father. Consequently the narratives of these films express forms of ‘anxiety’, ‘incapacity’ and ‘dissatisfaction’.

참고자료

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