日本古代詩歌に見る竹の詩的イメージ研究

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 70권 / 2호 / 115 ~ 135페이지
· 저자명 : 여순종

초록

I understand the following thing so far when I gather up the contents which I described. It is "the Book of Odes" that "bamboo" appears for the documents for the first time. In "Book of Odes "〈 hyonnpu〉, it is compared" to "a man of virtue". In addition, I include a meaning of the black art in the case of Japanese documents when I "watch a volume, the step of the Erebus country on "a description of folk history" while the bamboo" is a tool of the real life. If "bamboo" is a plant imported by China, I am reliable. Thus there was not the concept of the generic name of the subject of orchid, bamboo, plum and chrysanthemum in Chinese painting called "a plum / an orchid / a chrysanthemum / the bamboo" until six dynasties / the Tang times, but the concept of the generic name of the subject of orchid, bamboo, plum and chrysanthemum in Chinese painting fixed "the bamboo" including "the Book of Odes" from the Soong times. "The bamboo" was drawn on the material such as India-ink drawings (a southern school of Chinese painting) as prosperity and a symbol of the constancy, and it was, so to speak, written in a poetry sentence.
　 The symbol such as the above is not seen in a Japanese ancient poetry sentence for this. I "compare the woman who is young with a bamboo of nayonayotosita state with volume 2-217 and volume 3-420 and the person of noble social position" when I describe "Manyoshu tanka collection" and "breast-like algae" "bamboo" to watch in it.
　In addition, volume 5-824, volume 19-4286, は "bamboo" and "a bush warbler" mix it, and it is written and writes a sense of the seasons of the spring. Furthermore, volume 19-4291 are written with "the sound of the wind", and it is watched audible sense expression. In addition, expression it "goes through 3-379, 3-420, 9-1790, 13-3284, bamboo coin soon, and to call sauce" is seen, and there is it when it is composed as a fetish.
　It is guessed that "shining bamboo" is written in the customary epithets such as "Oomiya" "court lady" "princes" as for 6-1047, 6-1050 as for next 6-955.
In addition, and 11-2530, 11-2773, 14-3474 may say that "bamboo" can be written as "a love poem". It is the song which, besides, is rare, but it is written a nap figuratively, and 9-1674 have "bamboo" when they can read the image of the trip. Of the bamboo which the above-mentioned contents watch to "Manyoshu tanka collection" is written, and is a person, and decide to watch "bamboo" in "the breast style algae" which is a collection of Chinese poetry of the Japan oldest more.
　At first "hananiuguisuwomoteasobu" of syakutijyou matches "Takebayashi style" and understands what a metaphor does the Chinese Seven Wise Men in the Bamboo Groves and composes on a state of the unworldiness. In addition, I compare the world of the unworldiness to aim at the Utopia while I leave the common customs with expression called "bamboo Rinyu", and doing nature with a friend in the same way when I watch "akihigennsi" of syakujijyou Furthermore, "the bamboo" of the "kasinnnougennkyou" (96) of Mari Fujiwara is the same as "Takebayashi" of the "late spring music party south pond" (88) of unpleasant Umakai Fujiwara, and it seems that I mean the world of the unworldiness because I compare the Seven Wise Men in the Bamboo Groves during "Takebayashi" of the "akihinagayaoutakuutagenioitesiragigyaku" (65) of Mushimaro Shimotsukenuno. In addition, the poetry that it seems that I write natural features of the season can give "party King Nagaya's house" (50) of the King of boundary part, "jyoumikeiinn" (61) of senaoyukibumi, "kasinnnougennkyou" (95) of Mari Fujiwara, "syosyunnzaitikukeiyamaterani oitenagayaounoutagewojisu" (104) of syakudouji

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