<小有亭歌>의 장소재현과 장소성 - 화자의 주체성 문제를 바탕으로 - (Reproduction of Place in and Placeness - Based on the argument of the teller's subjectivity -)

서지정보

· 발행기관 : 한국문학언어학회
· 수록지 정보 : 어문론총 / 55호 / 163 ~ 189페이지
· 저자명 : 김성은

초록

“Soyujeongga” is a gasa work of Park, In-Ro in which the Soyujeong on the bank of Geumhogang in Daegu city is reproduced.
Since Soyujeong is a real pavilion that existed in the area of Daegu city, surrounded by Geumhogang, Biseulsan, and Palgongsan, it is significant that “Soyujeongga” is a work that reproduces a place named ‘Soyujeong’ as literature.
In this paper, the way how the place is reproduced in “Soyujeongga” and the placeness projected to the way is considered as a methodology to investigate the author’s consciousness. The reproduction of a place that exposes placeness is indivisible relation with sovereignty. By concentrating on the lyrics of the work and investigating the relation between the teller and sovereign entity in the work, it is found that the teller in “Soyujeongga”, ‘I’ is the projection of the author Park, In-Ro himself.
On the basis of the above mentioned fact, it is examined that how the placeness of the teller (the author) is reproduced in the work.
Firstly, Soyujeong has the most significant value in “Soyujeongga”. By contrasting Soyujeong that is in the middle of extraordinary scenary with outstanding architectures in historical stories, the author shows that the pavilion is the most significant to him, along with its symbolic meaning. Secondly, the author expands the place existentially by reproducing deep lyricism and his experiences of visiting nature surrounding Soyujeong. In addition to this, the author expands Soyujeong ideologically by reproducing the place as a place of revealing Ganghogado and loyalty.
In “Soyujeongga”, the placeness of Park, In-Ro based on his experience of place and his identity as a noble man latent in his consciousness are mixed and reproduced. While describing the actual form of the place he has seen and experienced with deep lyricism, his self-consciousness which can not be free from the social and cultural criticism of the community at that time affects the way how to reproduce the place Soyujeong in “Soyujeongga”.

영어초록

“Soyujeongga” is a gasa work of Park, In-Ro in which the Soyujeong on the bank of Geumhogang in Daegu city is reproduced.
Since Soyujeong is a real pavilion that existed in the area of Daegu city, surrounded by Geumhogang, Biseulsan, and Palgongsan, it is significant that “Soyujeongga” is a work that reproduces a place named ‘Soyujeong’ as literature.
In this paper, the way how the place is reproduced in “Soyujeongga” and the placeness projected to the way is considered as a methodology to investigate the author’s consciousness. The reproduction of a place that exposes placeness is indivisible relation with sovereignty. By concentrating on the lyrics of the work and investigating the relation between the teller and sovereign entity in the work, it is found that the teller in “Soyujeongga”, ‘I’ is the projection of the author Park, In-Ro himself.
On the basis of the above mentioned fact, it is examined that how the placeness of the teller (the author) is reproduced in the work.
Firstly, Soyujeong has the most significant value in “Soyujeongga”. By contrasting Soyujeong that is in the middle of extraordinary scenary with outstanding architectures in historical stories, the author shows that the pavilion is the most significant to him, along with its symbolic meaning. Secondly, the author expands the place existentially by reproducing deep lyricism and his experiences of visiting nature surrounding Soyujeong. In addition to this, the author expands Soyujeong ideologically by reproducing the place as a place of revealing Ganghogado and loyalty.
In “Soyujeongga”, the placeness of Park, In-Ro based on his experience of place and his identity as a noble man latent in his consciousness are mixed and reproduced. While describing the actual form of the place he has seen and experienced with deep lyricism, his self-consciousness which can not be free from the social and cultural criticism of the community at that time affects the way how to reproduce the place Soyujeong in “Soyujeongga”.

참고자료

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