잡극『紅梨花』와『西廂記』의 서사 변용과 무대성 고찰― 전기, 절자희와의 비교를 중심으로 (A Study on the Narrative Transformation and Stage Performability of Za Ju “Hong Li Hua” & “Xi Xiang Ji”)

서지정보

· 발행기관 : 중국어문학연구회
· 수록지 정보 : 중국어문학논집 / 103호 / 287 ~ 311페이지
· 저자명 : 윤은설

초록

Transformation of the same narrative in china literature is very common. this phenomenon is also a very general one in chinese opera. In other words, different chinese opera style has transformed into another form of the same story and the form of performances. this paper studied focus on narrative transformation and characteristics of the performance of 'Hong li hua(紅梨花)’, ‘Xi xiang ji(西廂記)' As a result, the following conclusions were reached.
First, in terms of their narrative structure, Zaju (雜劇) 'Hong li hua(紅梨花)’ as well as Zaju (雜劇) ‘Xi xiang ji(西廂記)'has changed the structure of the narrative as Chuan Qi(傳奇) Hong Li Ji(紅梨記)' 'Nan Xi Xiang Ji(南西廂記)'and Zhe Zi Play (折子戱). in other words this reform turned the shape of intensive narrative into a complex form, turned the selected pieces. in addition, in the case of reform Chuan Qi(傳奇) Hong Li Ji(紅梨記)' 'Nan Xi Xiang Ji(南西廂記)' their were newly added to the narrative and subdivision of narrative structure of Zaju (雜劇). Zhe Zi Play (折子戱) chose to deconstructivism rather than look for the process of story.
Secondly, in terms of their performances, different chinese opera style was characterized by an actor's performance, opera props, stage clothes and sound stage. in particular, Zaju (雜劇) has placed a variety of acting expression, Chuan Qi(傳奇) was focused on the beauty of moderation, Zhe Zi Play (折子戱) to show the circumstances and emotions of moment.
To sum up, This study confirmed that this phenomenon may have been because of the unique nature of different chinese opera style. in other words, Zaju (雜劇) due to structure constraints, it consist of intensive narrative, Chuan Qi(傳奇) due to no structure constraints, it was possible process of multiple narrative, Zhe Zi Play (折子戱) due to the possibility of short stories configuration, it was composed of independent stories. also in terms of their performances, Zaju (雜劇) would have been required many acting skill in order to complement the intensive narrative, Chuan Qi(傳奇) would have been setting the stage action in order to concentrate on complicated story, Zhe Zi Play (折子戱) would have been required many acting skill in order to deeply touched by the short story.

영어초록

Transformation of the same narrative in china literature is very common. this phenomenon is also a very general one in chinese opera. In other words, different chinese opera style has transformed into another form of the same story and the form of performances. this paper studied focus on narrative transformation and characteristics of the performance of 'Hong li hua(紅梨花)’, ‘Xi xiang ji(西廂記)' As a result, the following conclusions were reached.
First, in terms of their narrative structure, Zaju (雜劇) 'Hong li hua(紅梨花)’ as well as Zaju (雜劇) ‘Xi xiang ji(西廂記)'has changed the structure of the narrative as Chuan Qi(傳奇) Hong Li Ji(紅梨記)' 'Nan Xi Xiang Ji(南西廂記)'and Zhe Zi Play (折子戱). in other words this reform turned the shape of intensive narrative into a complex form, turned the selected pieces. in addition, in the case of reform Chuan Qi(傳奇) Hong Li Ji(紅梨記)' 'Nan Xi Xiang Ji(南西廂記)' their were newly added to the narrative and subdivision of narrative structure of Zaju (雜劇). Zhe Zi Play (折子戱) chose to deconstructivism rather than look for the process of story.
Secondly, in terms of their performances, different chinese opera style was characterized by an actor's performance, opera props, stage clothes and sound stage. in particular, Zaju (雜劇) has placed a variety of acting expression, Chuan Qi(傳奇) was focused on the beauty of moderation, Zhe Zi Play (折子戱) to show the circumstances and emotions of moment.
To sum up, This study confirmed that this phenomenon may have been because of the unique nature of different chinese opera style. in other words, Zaju (雜劇) due to structure constraints, it consist of intensive narrative, Chuan Qi(傳奇) due to no structure constraints, it was possible process of multiple narrative, Zhe Zi Play (折子戱) due to the possibility of short stories configuration, it was composed of independent stories. also in terms of their performances, Zaju (雜劇) would have been required many acting skill in order to complement the intensive narrative, Chuan Qi(傳奇) would have been setting the stage action in order to concentrate on complicated story, Zhe Zi Play (折子戱) would have been required many acting skill in order to deeply touched by the short story.

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