해방 전 중국조선족 가요에 나타난 가사특징에 관한 연구 (On the Characteristics of the Words in Korean-Chinese Ethnic Ballads before Chinese Liberation)

서지정보

· 발행기관 : 건국대학교 인문학연구원
· 수록지 정보 : 통일인문학 / 62권 / 407 ~ 436페이지
· 저자명 : 최옥화, 김강

초록

본고는 해방 전 조선족가요가 문화융합과정을 거치면서 형성된 형식특징을 중점적으로 분석하고자 한다. 우선, 조선족 가요는 그 리듬에서 많은 변용을 보여주고 있는바 전통적인 4.4조, 3.4조 형식을 보유하고 있었을 뿐만 아니라 7.5조의 새로운 리듬형식도 창안해냈다. 가사의 언어적 특징을 살펴볼 때 혼종성 특징을 띄며 사용한 언어는 취미성이 뛰어나고 구절은 곡조에 알맞은 대칭구조를 사용하고 있다. 다음 이 가요들은 조선족 언어습관에 맞았기 때문에 조선족전통음악의 특성을 살려낼 수 있었다. 또한 시대적 변화와 문화의 적응을 위한 대안으로 새로운 혁명적 언어들을 적절히 사용했고 주류사회 적응과 진출이라는 문화, 예술의식도 가늠하고 있다.

영어초록

This paper analyses the characteristics of the forms and the words in Korean-Chinese ethnic ballads before liberation which have experienced complicated cultural fusion. First of all, Korean-Chinese ethnic ballads have the varieties in the formation of rhythm. And the syllabic meter of most ballads not only keeps the traditional one of 4.4 and 3.4 but also changes to the one 7.5 and its variations. In the aspect of choosing words, Korean ethnic ballads keep the characteristic of hybridity. In addition, words of Korean ethnic ballads consist of symmetrical structures of sentences complemented with a fun sentence and a chord sentence. Secondly, most words of these ballads adapt Korean ethnic original language so that they can keep the nationality of the ballads. Meanwhile, these words also select some revolutionary words in order to keep pace with the new society and new culture. Therefore, the words of Korean ethnic ballads have the characteristic of fusion of languages. There words show the cultural consciousness of Korean ethnic fusing into social main culture.

참고자료

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