從媒體到文學：《壹週刊》的人物採訪寫作 (From Media to Literature: Profile Writing of “Next Magazine”)

서지정보

· 발행기관 : 한국중국학회
· 수록지 정보 : 중국학보 / 95호 / 183 ~ 219페이지
· 저자명 : He Ya Wen

초록

黎智英帶領的壹傳媒，以《壹週刊》領軍，衝擊臺灣固有媒體生態，評價兩極，然而由董成瑜領軍的人物組，卻在扎實的人物訪談與寫作中，為新聞採訪的敘事轉向開出新途。本文由敘事傳播角度切入，分析董成瑜與房慧真在《壹週刊》的人物寫作。董成瑜首先為人物寫作奠定規範：採訪者與受訪者互為主體，透過場景、言語、行動刻畫戲劇場面、掌握人物核心特質、並藉個人寫時代。房慧真在此架構中，反覆探究記者角色定位：從旁觀到參與，重構他人生命故事本身，就是社會介入。因此，房慧真既延續董成瑜所奠定的範式， 亦透過採訪者與受訪者的閱讀行為共享生命經驗。在《壹週刊》這樣善惡價值難辨的媒體中，董成瑜、房慧真共同為新聞採訪與人物寫作開啟的新頁，更進一步在《壹週刊》結束營運之後，仍然透過新興媒體（如《報導者》等）繼續擴散、傳播，改寫臺灣媒體格局。媒體在社會上曾經、正在、以及即將擔負的角色，新聞報導、紀實敘事的變革發展，不但是媒體的、文學的議題，也將是社會的、歷史的議題。

영어초록

Jimmy Lai Chee-ying (黎智英) and his Next Digital Ltd., with their first bombshell “Next Magazine”, drop a great impact on Taiwan's inherent media environment. The publication arouses polarized receptions. However, its profile division, led by Dong Cheng-yu (董成瑜), has opened up a new path for the narrative turn of news coverage with their solid interviews and writings. From the perspective of narrative communication, this essay analyzes the profile writing of Dong Cheng-yu and Fang Hui-Chen (房慧真) in “Next Magazine”. Dong first lays down the norms of profile writing for the magazine: interviewer and interviewee interacting with each other, the portrayal of dramatic spectacles through scenes, dialogues, and actions, grasping the core characteristics of the characters, thus writing their own times. Under this framework, Fang Hui-Chen, Dong's subordinate, scrutinizes the role of journalists back and forth: from watching to participating, reconstructing the story of other people's lives is in fact social intervention. Therefore, Fang’s writing not only continues the paradigm that Dong establishes but also shares life experiences through the reading behavior of interviewer and interviewee. In a medium such as “Next Magazine” with indistinguishable values, Dong and Fang jointly open up a new path for news coverage and profile writing. Even after the end of the operation of "Next Magazine", their influence continues to expand and spread through other new media (such as "The Reporter", etc.), thus rewriting Taiwan's media landscape. The role that media have taken, as well as the change and development of news reporting and non-fiction writing, not only will be of media and literary issues, but also social and historical ones.

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