日本文学史における八景詩の受容と変容の様相

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초록

This paper investigates the acceptance and evolution of the Eight Scenary poem which existed in the history of Japanese literature. It aims to illustrate the similarities and differences between Chinese literature and Japanese literature. The following five points can be illustrated in this paper.
Firstly, there opened a debate concerning on the poetical thought of Wu-Chu and DongTing in the academia. Secondly, the name of Japanese showplace was originally from the name of ZuoXiang which has the meaning of “sitting in XiaoXiang River” in SuShi’s poem. The beauty of the Eight Scenary was reflected in the line of “sitting in XiaoXiang River”. Thirdly, the Eight Scenary poem shared the literary material of Chu- Xiang. It also portrayed the view of senary through Japanesque poetic diction.
Fourthly, the Japanese characters which were described in Chinese Eight Scenary poem were unique and different in mood. These characters were applied to Japanese poem for expressing the meaning of “mist”. Fifthly, the Japanese “fake scenary” was criticized as the “slave of XiaoXiang”.To sum up, the author found that Japanese scholars had a special thought to the aspect of acceptance and evolution of the Eight Scenary poem.

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