하이카이『겨울날』의 애니메이션화 구조－전통 재현의 메커니즘을 중심으로－ (Analysis of Adapting Haikai for the Animation Program, Winter Days : Focused on the Mechanism Constructed by the Animation Program for Representing Japanese Tradition)

서지정보

· 발행기관 : 동아시아일본학회
· 수록지 정보 : 일본문화연구 / 49호 / 34 ~ 54페이지
· 저자명 : 김일림

초록

Winter Days is one of the most famous haikai-renga piece, which waswritten by Matsuo Basho and the poets from Nagoya in the seventeenthcentury. Haikai-renga should be written in the fixed number of sound units andbe connected by the common verse. This literary form of the Edo period wasapplied to the animation program in 2003 by thirty-eight famous animators inJapan and other countries. The adaptation of animated haikai, supported by theJapanese government, created in an unprecedented style. The purpose of thisstudy is to anaylize how the program, Winter Days constructs the mechanismfor representing Japanese tradition.
This paper notes that both haikai-renga and animated program pursuitelegant artistry in common, but they are complementary by sharing its owncharacter derived from its genre: haikai’s authenticity and animation’s popularity.
This study also analyzes that the animated version creates allegoric structureby translating each verse to visual image, which is a link to Japanese traditionin itself. In addition, Haikai poets are shaped as historical figures in theprogram and this kinds of devices makes literature into historical tradition.
Thus, Winter Days became a traditional Japanese symbol through the adaptation.
The “past” can be recognized as “history” and “tradition” through the introductionof popular genre.

영어초록

Winter Days is one of the most famous haikai-renga piece, which waswritten by Matsuo Basho and the poets from Nagoya in the seventeenthcentury. Haikai-renga should be written in the fixed number of sound units andbe connected by the common verse. This literary form of the Edo period wasapplied to the animation program in 2003 by thirty-eight famous animators inJapan and other countries. The adaptation of animated haikai, supported by theJapanese government, created in an unprecedented style. The purpose of thisstudy is to anaylize how the program, Winter Days constructs the mechanismfor representing Japanese tradition.
This paper notes that both haikai-renga and animated program pursuitelegant artistry in common, but they are complementary by sharing its owncharacter derived from its genre: haikai’s authenticity and animation’s popularity.
This study also analyzes that the animated version creates allegoric structureby translating each verse to visual image, which is a link to Japanese traditionin itself. In addition, Haikai poets are shaped as historical figures in theprogram and this kinds of devices makes literature into historical tradition.
Thus, Winter Days became a traditional Japanese symbol through the adaptation.
The “past” can be recognized as “history” and “tradition” through the introductionof popular genre.

참고자료

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