소설 ≪이방인≫의 연극적 시각화 방식 (Theatrical Methods of Visualizing of Novel ≪Stranger≫)

서지정보

· 발행기관 : 한국연극교육학회
· 수록지 정보 : 연극교육연구 / 37권 / 37호 / 251 ~ 291페이지
· 저자명 : 나진환

초록

이 논문은 연극, ≪이방인≫ 연극 《이방인》은 인간에 대한 인문학적 성찰시리즈V, 알베르 카뮈 원작/ㅇㅇㅇ각색,연출로 2019년 8월 20~31일까지 동양예술극장 2관에서 상연된 공연이다. 이 작품은 그해, 대관료지원작 선정, 서울연극대상 신인 연기상(주영호)을 수상한다. 출연진, 한윤춘, 주영호, 이천영, 김찬, 강민정, 이성하, 스탭, 무대디자인:임일진, 조명:구태환, 안무:박호빈.
의 창조과정에서 드러난 연극적 시각화의 방식에 대한 “경험론적 지식”(Empirical Knowledge)에 대한 것이다. 이 관점은, 본 연구자의 근본적인 연구방식으로, 이 방법론을 차용하는 이유는, 연구자로서의 필자의 위치설정과 학문적 기여의 방식이 이 방법론에서 발현하기 때문이다. 이러한 이유로, 본 논문에 들어가기에 앞서 본 연구자는 경험론적 지식에 대한 중요성과 의미를 다시 한번 구체적으로 들여다볼 것이다.

영어초록

This paper is study on the way of visualization of text based on the empirical knowledge acquired from performance 《Stranger》.
Because this methodology was acquired through the researcher's long time body practice as a practitioner of theatrical arts, it is very important to summarize the meaning of this once again. That is, this empirical knowledge is knowledge in the inner creative process that is never allowed to a researcher who is an observer. The knowledge acquired in this inner creation process has the meaning of inner analysis as stated in the performing arts called ethnoscénologie, and presents the result of a study on the phenomenon of Korean theater creation through an academically proven external analysis and a research methodology that forms two axes. In addition, from an artist's personal standpoint, it provides important information that allows him to know his own aesthetic characteristics that are revealed through internal inquiry and to expand them to a universal aspect.
The stage of visualization begins with the thesis question that exists between analysis and interpretation. Visualization expands the questions revealed in the results from the method of analyzing the researcher’s work from this process, and uses this as a thesis to create its own interpretation of this. The main themes of this interpretation lead to conceptualization, and what is conceptualized is transformed into a meta-image, and it can be seen as a work in the process leading to its sensitization or symbolization.
What is important here is the problem of how to construct this sensitized image? And the researcher explained this as the concept of 'structure/chain'. Just as the contradiction of light, that is, the property of light, which is both a wavelength and a particle, shows one aspect of light, this structure and chain are a performance image of a state of interlocking and connecting. In addition, if the explanation is made through the elements of the time delay (temporisation) and spacing (espacement) that appear in Derrida's term difference, the method of sensitizing this and making it attractive is the image structure/chain of this researcher.
To achieve this, first of all, it is necessary to turn literary descriptions into literary actions and make them into a theatrical action, a performance image of state. The sensuous images that make up the structure and state of these images are visualized through the visualization of dialogue in the scenes created by the performance image of the state, that is, words that are reorganized and redefined in action. Words are more embodied through structuralist speech borrowed from Levistros' structuralist anthropology. Instead of focusing on the phenomenon of speech, it is to create the phenomenon of speech by focusing on the relationship between the elements that make the phenomenon of speech. In other words, speech becomes a constitutive relationship of the elements that make up the phenomenon of speech, and this is explained as the "principle of making results" in theatrical anthropology pursued by Eugene Barba.
Through this method, it is grasped that the interpretation of the man who shot toward the sun with his back on death was created, and the intense 'immovable sun' soon became a symbol of death, and the repetition of daily life works like a rotating towel, and there are countless deaths in it. This contingency is explained by Sartre's concept of bloodiness. In other words, "existence takes precedence over essence." Based on this, the concept of the stage, the empty world and the coffin create meaningless repetitions of daily life, and on this foundation, humans experience many deaths and eventually face perfect death. Therefore, through the appearance of life that comes into Meerso's gaze, looking at the last death with his back, he realizes the countless deaths experienced on the basis of this coffin and the death given by the immovable sun at its core.
Therefore, the structure/chain of sensational images of this work is created based on this concept and interpretation. This work is a visualization method of the deaths revealed in the repetition of meaningless life on the basis of the coffin that created the concept of deaths symbolized by the sun of pause and the sensory alienation effect.

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