≪三俠五義≫ 상투구의 드라마 ≪包青天≫에서의 활용 (Utilization of the Cliché of ≪三俠五義≫ in the Chinese Drama ≪包青天≫)

서지정보

· 발행기관 : 중국어문연구회
· 수록지 정보 : 중국어문논총 / 114호 / 171 ~ 219페이지
· 저자명 : 박현곤

초록

This paper aimed to discuss the process in which the cliché of ≪三俠五義≫ was used in the Chinese drama ≪包青天≫ and its cultural significance. The cliché refers to an important narrative method that makes readers wonder what will happen next in ≪三俠五義≫. It makes readers curious about the following part in the important part of each episode of the drama to keep them focused on that part. However, the cliché unfolded in almost every part in ≪包青天≫. This was because the audiences were viewers, unlike the readers of texts. The cliché was set in a proper form, considering that the visualized story in the drama was delivered to viewers only within the limited broadcasting time. As it is available to get higher TV ratings when a storyline captures viewers’ attention within the limited amount of time, it needed to unfold in a way that attracted their interest within the limited amount of time, so the cliché had to be set to achieve that end. Therefore, the cliché was set in every part of the drama to induce viewers to continuously focus on its storyline. As such, the cliché in the drama has a big difference from the one in the text in that it was set in almost every part in consideration of the broadcasting time and the aesthetic response of the audiences. Therefore, this paper will conduct a comparative analysis of the cliché in the two works and link the cultural significance derived therefrom to the broadcasting time to examine the process in which the cliché of ≪三俠五義≫ was used in the Chinese drama ≪包青天≫.

영어초록

This paper aimed to discuss the process in which the cliché of ≪三俠五義≫ was used in the Chinese drama ≪包青天≫ and its cultural significance. The cliché refers to an important narrative method that makes readers wonder what will happen next in ≪三俠五義≫. It makes readers curious about the following part in the important part of each episode of the drama to keep them focused on that part. However, the cliché unfolded in almost every part in ≪包青天≫. This was because the audiences were viewers, unlike the readers of texts. The cliché was set in a proper form, considering that the visualized story in the drama was delivered to viewers only within the limited broadcasting time. As it is available to get higher TV ratings when a storyline captures viewers’ attention within the limited amount of time, it needed to unfold in a way that attracted their interest within the limited amount of time, so the cliché had to be set to achieve that end. Therefore, the cliché was set in every part of the drama to induce viewers to continuously focus on its storyline. As such, the cliché in the drama has a big difference from the one in the text in that it was set in almost every part in consideration of the broadcasting time and the aesthetic response of the audiences. Therefore, this paper will conduct a comparative analysis of the cliché in the two works and link the cultural significance derived therefrom to the broadcasting time to examine the process in which the cliché of ≪三俠五義≫ was used in the Chinese drama ≪包青天≫.

참고자료

· 없음