헤겔의 죽음에 대한 이념과 발레리의 죽음에 대한 시적 이미지 (Hegel's Idea of Death and Vallery' Poetic Image of Death)

서지정보

· 발행기관 : 충남대학교 인문과학연구소
· 수록지 정보 : 인문학연구 / 37권 / 1호 / 209 ~ 250페이지
· 저자명 : 배용준

초록

The Finiteness and actual disappearance of natural entities are determined, in a necessary and unequivocal fashion, by laws that are alien to them, or, if you will, by the natural place which they occupy in the given Cosmos.
The death of Man, on the other hand, is an immanent law, an auto-overcoming. it is truly his death that is, something that is proper to him and belongs to him as his own, and which can consequently be known by him, wanted or negated by him. Death exists for Man, it is "in and for itself".
We shall see what this dialectical character(idea) of human death means in Hegel. If Man, According to Hegel, can be truly human only because he must and can die. "dialectical" Death is more than simple end or limit imposed from the outside. that is an appearance of Negativity, there for death and Freedom are two phenomenological aspect of one and the same thing.
To say that human dearth, in contradistinction to an animal's "end" is a "dialectical overcoming"(that is, free, since it can be biologically premature), therefore, is first of all to say that Man knows that he must die. Man is mortal in this sense that he is truly human and essentially different from an animal.
According to Hegel, Man is mortal(in the sense that he is conscious of his death, that he can voluntarily kill himself or negate his death in myth of immortality) is to say nothing other or more than what we say in asserting that Man is a Totality or dialectical entity.
In fine, then, human death does indeed present itself as a manifestation of Man's freedom, individuality, and historicity, that is, of the "total" or dialectical character of his being and his existence.
This study Purposed to understand the Idea of death in Hegel' Phänomenlogy des Geistes and compare to Vallery' poetic Image of human death in Le Cimetiere Marin.

영어초록

The Finiteness and actual disappearance of natural entities are determined, in a necessary and unequivocal fashion, by laws that are alien to them, or, if you will, by the natural place which they occupy in the given Cosmos.
The death of Man, on the other hand, is an immanent law, an auto-overcoming. it is truly his death that is, something that is proper to him and belongs to him as his own, and which can consequently be known by him, wanted or negated by him. Death exists for Man, it is "in and for itself".
We shall see what this dialectical character(idea) of human death means in Hegel. If Man, According to Hegel, can be truly human only because he must and can die. "dialectical" Death is more than simple end or limit imposed from the outside. that is an appearance of Negativity, there for death and Freedom are two phenomenological aspect of one and the same thing.
To say that human dearth, in contradistinction to an animal's "end" is a "dialectical overcoming"(that is, free, since it can be biologically premature), therefore, is first of all to say that Man knows that he must die. Man is mortal in this sense that he is truly human and essentially different from an animal.
According to Hegel, Man is mortal(in the sense that he is conscious of his death, that he can voluntarily kill himself or negate his death in myth of immortality) is to say nothing other or more than what we say in asserting that Man is a Totality or dialectical entity.
In fine, then, human death does indeed present itself as a manifestation of Man's freedom, individuality, and historicity, that is, of the "total" or dialectical character of his being and his existence.
This study Purposed to understand the Idea of death in Hegel' Phänomenlogy des Geistes and compare to Vallery' poetic Image of human death in Le Cimetiere Marin.

참고자료

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