무대 위의 巾幗영웅 ― 중국 전통극중 여성영웅형상의 탄생과 변용 (A Study on the Superheroines in Chinese Classical Drama)

서지정보

· 발행기관 : 중국어문학연구회
· 수록지 정보 : 중국어문학논집 / 116호 / 313 ~ 343페이지
· 저자명 : 하경심

초록

It is not difficult to find superheroines among the characters of Chinese classical drama. They have fought for their country and have kept their families safe from national crises caused by invasions of foreign countries and domestic revolts.
Jinguo heroines (heroines who wear headscarves and fight for their country), such as Hua Mulan, Mu Guiying, She Taijun, Fan Lihua, and Bao Sanniang, are characterized as individuals who are wiser, more active, courageous, and powerful than male characters and most of them are masters of martial arts and war tactics. Moreover, they would compete with men and willfully choose their own spouses and they volunteered to sacrifice their lives in the battlefield as a General or a Warrior for their families and national pride. Jinguo heroines have also fought against traitors and they sometimes criticized the incompetent government. They have been a symbol of loyalty and fidelity on the stage and welcomed by the audience for a long time. These characters are inspired by historical figures or heroines of literary works. They have been described as ‘Qinu’(奇女- outstanding, unusual woman) and ‘Lienu’(烈女- a strong-willed woman of Confucian ideals) at the same time.
This paper examines the birth, transformation, and significance of celebrated female characters in Chinese classical drama. Through research, we learn about how these heroines were created, what makes them similar yet distinct from one another, and how they continue to prove their lasting impact as figurative, historical role models in China.

영어초록

It is not difficult to find superheroines among the characters of Chinese classical drama. They have fought for their country and have kept their families safe from national crises caused by invasions of foreign countries and domestic revolts.
Jinguo heroines (heroines who wear headscarves and fight for their country), such as Hua Mulan, Mu Guiying, She Taijun, Fan Lihua, and Bao Sanniang, are characterized as individuals who are wiser, more active, courageous, and powerful than male characters and most of them are masters of martial arts and war tactics. Moreover, they would compete with men and willfully choose their own spouses and they volunteered to sacrifice their lives in the battlefield as a General or a Warrior for their families and national pride. Jinguo heroines have also fought against traitors and they sometimes criticized the incompetent government. They have been a symbol of loyalty and fidelity on the stage and welcomed by the audience for a long time. These characters are inspired by historical figures or heroines of literary works. They have been described as ‘Qinu’(奇女- outstanding, unusual woman) and ‘Lienu’(烈女- a strong-willed woman of Confucian ideals) at the same time.
This paper examines the birth, transformation, and significance of celebrated female characters in Chinese classical drama. Through research, we learn about how these heroines were created, what makes them similar yet distinct from one another, and how they continue to prove their lasting impact as figurative, historical role models in China.

참고자료

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