재일코리안과 한국 전통예술의 재창조―창작 판소리 <4월 이야기>를 사례로― (Zainichi and the re-creation of Korean traditional performing arts ―The example of the creative pansori April Story―)

서지정보

· 발행기관 : 한국일본문화학회
· 수록지 정보 : 日本文化學報 / 99호 / 149 ~ 167페이지
· 저자명 : 정성희

초록

パンソリを含む韓国伝統芸能は、これまで国内だけでなく世界各国の多くの都市で公演され、在日コリアンの中でも韓国伝統芸能家として活動する人々がいる。特に1990年代以降、在日コリアンが韓国に長期間滞在し、韓国の伝統芸術を直接習得し始め、現在は作品を創作する事例も増えている。 本稿は在日コリアンが創作したパンソリ<四月の物語>を事例に、その創作過程と作品について考察した。<4月の物語>の創作者たちは韓国の文化すなわちパンソリを脱領土化させ、脱領土化した文化を言語、音楽など様々な側面で再領土化し、自分たちのパンソリを創造した。つまり、創作者たちは作品を通して、本国と居住国という境界を自由に行き来し、ディアスポラの創造的な力量を発揮したといえる。

영어초록

Traditional Korean performing arts, including pansori, have been performed not only in Japan but in many cities worldwide, and some Zainichi have been active as traditional Korean performers. Especially since the 1990s, Zainichi have been staying in Korea for long periods, where they have begun to learn Korean traditional arts directly and are increasingly creating more works.
This paper examines the creative process and work of the pansori April Story created by Zainichi artists, who deterritorialized Korean culture in the form of pansori and reterritorialized it in numerous aspects, such as language and music as they created their own pansori. In other words, through their works, they freely crossed the border between their home country and their country of residence, demonstrating the creative power of the diaspora.

참고자료

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