유기론적 관점에서 도자의 새로운 형상성 과정 연구 (A Research of the New Ceramic Morphology Process in Organic Perspective)

서지정보

· 발행기관 : 한국디자인문화학회
· 수록지 정보 : 한국디자인문화학회지 / 14권 / 2호 / 387 ~ 394페이지
· 저자명 : 이윤, 김후성

초록

The expressive context of new design formativeness is converting now from linear to nonlinear and simple origin thought to expression with a formative system of complexity, in which of dramatic development of natural science and philosophy with the digital media.
The perception of digital design contains the new formative system which would make changes the object with entirely different context from in complexity and fluidity, and also possibility of nonlinear expression and mutation of various form in collapsed the individuality.
The morphological point of view, the aspect of escaping from mechanic rationality and analytical mind-set is replaced with the paradigm of organic theory which provides a wide application across the boundary of various field, and expressive method with reflected organic theory in formative arts.
This research proposes a new design formative expression method and morphological process through experimental work while interpreting organic design meaning and origin of visual elements. Also study for nonlinear formative context and new stability of visual systems could suggest new method through the deformation process of the mechanism design.
The Random phenomenons and forms are considered as a basic structure within regularity for practical application in new aspect.
Changing concept of nonlinear morphology could be explored its characteristic in organic view by morphological prototype. This research shows some case studies of developing new form which are applied to ceramic objects and it is also starting point of new development for historical context and methodological process.

영어초록

The expressive context of new design formativeness is converting now from linear to nonlinear and simple origin thought to expression with a formative system of complexity, in which of dramatic development of natural science and philosophy with the digital media.
The perception of digital design contains the new formative system which would make changes the object with entirely different context from in complexity and fluidity, and also possibility of nonlinear expression and mutation of various form in collapsed the individuality.
The morphological point of view, the aspect of escaping from mechanic rationality and analytical mind-set is replaced with the paradigm of organic theory which provides a wide application across the boundary of various field, and expressive method with reflected organic theory in formative arts.
This research proposes a new design formative expression method and morphological process through experimental work while interpreting organic design meaning and origin of visual elements. Also study for nonlinear formative context and new stability of visual systems could suggest new method through the deformation process of the mechanism design.
The Random phenomenons and forms are considered as a basic structure within regularity for practical application in new aspect.
Changing concept of nonlinear morphology could be explored its characteristic in organic view by morphological prototype. This research shows some case studies of developing new form which are applied to ceramic objects and it is also starting point of new development for historical context and methodological process.

참고자료

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