關于高行健早期實驗劇≪車站≫的幾點斷想

서지정보

· 발행기관 : 중국어문연구회
· 수록지 정보 : 중국어문논총 / 51호 / 333 ~ 357페이지
· 저자명 : 한혜경

초록

Gao, Xing-jian led experimental theatre movement in 1980s, overcame the negative effects of traditional realism theater and received wide attention by experimental theatre works with new fresh contents and form. In particular, Bus-Stop is the work that prepared a new turning point in experimental theatre in 1980s and was inspired a lot from Western drama works and theories. Therefore, in order to understand his early experimental theatre properly, relevance with Western literature should be examined. Taking Bus-Stop as the research target, this thesis attempted to explore a part of experimental spirit that he wanted to pursue by studying in what way he creatively expressed Western drama works and theories in his work and studied educational function and meaning of Bus-Stop seen through Chinese Modern Drama class. For this, this thesis studied by comparing absurd theater realism of Harold Pinter and Bus-Stop, the theater of the absurd of Beckett and Bus-Stop, epic drama of Brecht and Bus-Stop and explored educational meaning of Korea on Chinese Modern Drama education in some respects such as appreciation and analysis, demonstration etc.
Gao, Xing-jian, who wanted to escape from the rigid theater system of Ibsen- Stanislavsky, led active changes doing experimental attempts by operating various techniques of Brecht epic drama, for example, estrangement effect or defamilarization technique etc. Also, It has received considerable impact from the theater of the absurd of Beckett, Waiting for Godot. However, Bus-Stop was similar with Waiting for Godot in terms of operating the expression technique of he theater of the absurd and the theme of waiting but showed a significant difference in the development of a theme. Therefore, Bus-Stop is the work which absorbed the expression technique of the theater of the absurd and tradition of Chinese Modern Drama and embodied it into realistic life lyrical farce reflecting the contemporary reality, not a simple imitation of Waiting for Godot. A point of sameness can be found in the sense that Harold Pinter also aims for absurd theater realism and it is very interesting in the sense that Harold Pinter has the work whose title is the same as Bus-Stop. Though it takes the form of very short sketch, it reflects cynical era situation of England after the Second World War and therefore, it is worth appreciating comparing with Gao, Xing-jian's Bus-Stop which describes the appearance of the outskirts of the Chinese society after reform and opening up. The interesting thing is different time circumstances of both countries are shown in the same background, a bus stop. It cannot be seen that which influence relationship exists between the two but the common point is that both works have a realistic element reflecting the contemporary reality.
In conclusion, Bus-Stop by Gao, Xing-jian is the work representing experimental theatre of China in the early 1980s and the meaning can be found in the sense that it is the work of unique style that absorbed and united Western drama literature theory and ideology in the way of Gao, Xing-jian and operated and made various techniques of Chinese traditional art.

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