필름과 HD카메라와의 특성에 관한 비교 연구-슈퍼 35mm, 슈퍼 16mm, 와 Red one을 중심으로- (A comparative syudy on charateristics of film and HD medium-Focused on super 35mm/super 16mm and Red One-)

서지정보

· 발행기관 : 한국영상제작기술학회
· 수록지 정보 : 영상기술연구 / 1권 / 11호 / 137 ~ 171페이지
· 저자명 : 박지훈, 윤용아

초록

The purpose of this dissertation is to ensure the role of technical guidelines by
analyzing strengths and weaknesses through comparatively studying the
characteristics of 4K-Red One Camera of Red which has been now in the spotlight,
and Super-16mm which has been used by school, independent film and music
video focused on Super-35mm camera which is the best type of film media. Also,
this study started to activate the flexibility of accepting other media, and an
exchange with other media for film makers who hold fast only to classical film
methods through data gained as outcomes.
This dissertation explained a fundamental difference between the video medium
and film by latitude, depth of field and a color reproduction principle, and
introduced the specifications and testing method of camera used for the test. Also,
respectively-used cameras' features and characteristics were extracted and utilized as
a reference. In the text of this dissertation, the latitude and color reproduction of
Super-35mm and Red One were compared and the depth of field was tested. Then,
Super-16mm camera and Red one were compared and analyzed by same method.
The important point is to compare a changing contrast, chroma and sharpness by
reducing the light's intensity of radiation on the man, when the man's latitude is
tested in the room. It indicates a clear difference from the camera using the
camera's iris. In addition, up to the color reproduction capability in the post
production process could be compared through selecting an over-exposed scene
and under-exposed scene and conducting a digital color calibration directly.
As the result of doing diverse tests in depth, the fIlm seems more comparative at
least in the color reproduction capability and latitude range than the HD medium
according to a judgment limited to the camera's function in a shooting phase. But,
it is deemed that the results should be compared through the test by other methods
in the production's efficiency in the production phase, the color calibration in the
post, and the compatibility in the screening phase.
Because it is sure that the future fIlm production environment will be converted
into F-D-D system of processing ouly the process up to the screening phase after
filming, or D-D-D system of using the digital medium for all processes from
filming to screening, an union of film and digital has been considered as a
compulsory flow of the era. By reflecting such the tendency, there must be an
adequate standard to enable fIlm makers to recognize the difference between two
media definitely and to make a clever selection. For it, it is considered that accurate
data between two medium must be continuously opened and compatible.

영어초록

The purpose of this dissertation is to ensure the role of technical guidelines by
analyzing strengths and weaknesses through comparatively studying the
characteristics of 4K-Red One Camera of Red which has been now in the spotlight,
and Super-16mm which has been used by school, independent film and music
video focused on Super-35mm camera which is the best type of film media. Also,
this study started to activate the flexibility of accepting other media, and an
exchange with other media for film makers who hold fast only to classical film
methods through data gained as outcomes.
This dissertation explained a fundamental difference between the video medium
and film by latitude, depth of field and a color reproduction principle, and
introduced the specifications and testing method of camera used for the test. Also,
respectively-used cameras' features and characteristics were extracted and utilized as
a reference. In the text of this dissertation, the latitude and color reproduction of
Super-35mm and Red One were compared and the depth of field was tested. Then,
Super-16mm camera and Red one were compared and analyzed by same method.
The important point is to compare a changing contrast, chroma and sharpness by
reducing the light's intensity of radiation on the man, when the man's latitude is
tested in the room. It indicates a clear difference from the camera using the
camera's iris. In addition, up to the color reproduction capability in the post
production process could be compared through selecting an over-exposed scene
and under-exposed scene and conducting a digital color calibration directly.
As the result of doing diverse tests in depth, the fIlm seems more comparative at
least in the color reproduction capability and latitude range than the HD medium
according to a judgment limited to the camera's function in a shooting phase. But,
it is deemed that the results should be compared through the test by other methods
in the production's efficiency in the production phase, the color calibration in the
post, and the compatibility in the screening phase.
Because it is sure that the future fIlm production environment will be converted
into F-D-D system of processing ouly the process up to the screening phase after
filming, or D-D-D system of using the digital medium for all processes from
filming to screening, an union of film and digital has been considered as a
compulsory flow of the era. By reflecting such the tendency, there must be an
adequate standard to enable fIlm makers to recognize the difference between two
media definitely and to make a clever selection. For it, it is considered that accurate
data between two medium must be continuously opened and compatible.

참고자료

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