영화의 환영성: 영화적 재현 방식에 대하여 (The Illusionism of Cinema: Focusing on Cinematic Representation)

서지정보

· 발행기관 : 한국기초조형학회
· 수록지 정보 : 기초조형학연구 / 9권 / 2호 / 33 ~ 43페이지
· 저자명 : 김계중

초록

The visual image in motion has been desired by human even long before cinema was invented. For human with huge ambition for magical or sorcery illusion, cinema might be the result from the according effort made by them. The cinema assign a perception process to audience who would accept the existence of reality as it is as well as the absence of it at the same time. The reality existed in cinema but also is intervened and transformed by it intentionally. It is framed in and montaged for a new meaning. The form of cinema came from the form of representation In the literature, novel, the movement led by Nouveau Roman writers challenged new mode of representation. The way of perceiving reality and representation of it done by the subjective description, gives new position for the body of the addresser and constructs the totality which required new awareness. Their resistance to the function of representation is related to that of Nouveau Cinema and succeeded in forming a discourse. The critique of representation was possible by the films so called 'flicker film'. The films by Paul Sharits, the most significant flicker filmmaker, were also researched as one of main subjects in this journal. He suggest that cinema is not of fictional illusion but of three dimensional and material.

영어초록

The visual image in motion has been desired by human even long before cinema was invented. For human with huge ambition for magical or sorcery illusion, cinema might be the result from the according effort made by them. The cinema assign a perception process to audience who would accept the existence of reality as it is as well as the absence of it at the same time. The reality existed in cinema but also is intervened and transformed by it intentionally. It is framed in and montaged for a new meaning. The form of cinema came from the form of representation In the literature, novel, the movement led by Nouveau Roman writers challenged new mode of representation. The way of perceiving reality and representation of it done by the subjective description, gives new position for the body of the addresser and constructs the totality which required new awareness. Their resistance to the function of representation is related to that of Nouveau Cinema and succeeded in forming a discourse. The critique of representation was possible by the films so called 'flicker film'. The films by Paul Sharits, the most significant flicker filmmaker, were also researched as one of main subjects in this journal. He suggest that cinema is not of fictional illusion but of three dimensional and material.

참고자료

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