매체간 통합장으로서의 스크린과 그 안에서 작동하는 재매개의 주체성 연구 (A Study on Screen As Integration Field between Medium and Identity of Re-mediation Operating in The Field)

서지정보

· 발행기관 : 한국언어문화학회
· 수록지 정보 : 한국언어문화 / 58호 / 267 ~ 298페이지
· 저자명 : 전지은

초록

Jeon, Ji eun. 2015. A Study on Screen As Integration Field between Medium and Identity of Re-mediation Operating in The Field. This paper set on object ‘Movie’ that is ‘Screen’ as medium. Because ‘Movie’ is integrating more than any other medium and any other culture industry. This paper looks at how floating concept as culture and humanities beyond concrete signifier literature integrates every periodic, technical, artistic, and narrative field and contacts the public in the medium as movie. Because movie contains literature, paintings, technology and the phases of the times, we should be look movie as literature. Finally movie becomes itself active integrating field diachronically re-mediating all flow of medium-history. In the course of looking these features of medium, suture theory by Lacan and concept of re-mediation by Bolter and Grushin are syntagmatically used again.
This paper pore over that things which can be movie becomes representation medium and narrative medium are gazers, ‘audience.’ Movie actively uses ‘hyper-mediation’ and shows more anti-mediating possibilities than any other medium. These self-contradictory formalities are possibilities and limitations of movie. If movie could represent reality beyond screen as fantasy veil, it can operate through behavior of audience as narrative subject suturing. Audience suture cracks of movie text, fill absence and are born again.
The Thieves directed by Choi Donghun ceaselessly located audience between anti-mediation and hyper-mediation at the same time, thus they actively sutured narrative. Audience could recast realistic figures through suturing several plan characters. Then movie played with audience a kind of ‘lying game’, through positive using scene making of formal features on media of image. Also movie stimulated desire of audience which try to grasp truth and made audience became subject of the game, that was narrative subject. The point is core narrative function itself contained features of audience.
Because features of audience are not systematized and do not mean clear concept, what we regard them as outside factors of text revels another ‘absence.’ Desires of reality are not only in creators, only in audience, only in market, and only in political system. So, looking with open mind through re-mediating all of them can be a dialectical attitude. Open attitude of interpretation on texts and try itself to make possibilities of sound out will suture possibilities of literature and era.

영어초록

Jeon, Ji eun. 2015. A Study on Screen As Integration Field between Medium and Identity of Re-mediation Operating in The Field. This paper set on object ‘Movie’ that is ‘Screen’ as medium. Because ‘Movie’ is integrating more than any other medium and any other culture industry. This paper looks at how floating concept as culture and humanities beyond concrete signifier literature integrates every periodic, technical, artistic, and narrative field and contacts the public in the medium as movie. Because movie contains literature, paintings, technology and the phases of the times, we should be look movie as literature. Finally movie becomes itself active integrating field diachronically re-mediating all flow of medium-history. In the course of looking these features of medium, suture theory by Lacan and concept of re-mediation by Bolter and Grushin are syntagmatically used again.
This paper pore over that things which can be movie becomes representation medium and narrative medium are gazers, ‘audience.’ Movie actively uses ‘hyper-mediation’ and shows more anti-mediating possibilities than any other medium. These self-contradictory formalities are possibilities and limitations of movie. If movie could represent reality beyond screen as fantasy veil, it can operate through behavior of audience as narrative subject suturing. Audience suture cracks of movie text, fill absence and are born again.
The Thieves directed by Choi Donghun ceaselessly located audience between anti-mediation and hyper-mediation at the same time, thus they actively sutured narrative. Audience could recast realistic figures through suturing several plan characters. Then movie played with audience a kind of ‘lying game’, through positive using scene making of formal features on media of image. Also movie stimulated desire of audience which try to grasp truth and made audience became subject of the game, that was narrative subject. The point is core narrative function itself contained features of audience.
Because features of audience are not systematized and do not mean clear concept, what we regard them as outside factors of text revels another ‘absence.’ Desires of reality are not only in creators, only in audience, only in market, and only in political system. So, looking with open mind through re-mediating all of them can be a dialectical attitude. Open attitude of interpretation on texts and try itself to make possibilities of sound out will suture possibilities of literature and era.

참고자료

· 없음