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1950년대 뮤지컬영화의 내러티브 스타일 연구 -<사랑은 비를 타고>와 <아가씨와 건달들>을 중심으로- (Narrative Style of Musical Films from 1950's -Focused on and -)

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최초등록일 2025.06.03 최종저작일 2009.09
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1950년대 뮤지컬영화의 내러티브 스타일 연구 -&lt;사랑은 비를 타고&gt;와 &lt;아가씨와 건달들&gt;을 중심으로-
  • 미리보기

    서지정보

    · 발행기관 : 한국영화학회
    · 수록지 정보 : 영화연구 / 41호 / 81 ~ 103페이지
    · 저자명 : 민경원, 김기용

    초록

    The musical film is a phrase which indicates movie composed of songs and dance routines. The musical is a genre based on operetta of Europe, and vaudeville of America. Hence, it is intrinsically called American or Hollywood musical.
    As the movie changed from silent movie to sound film, the field of musical improved with the growing importance of sound, which became an important method of expression. In United States, the review format, which was represented by <The Broadway Melody>(1929), and operetta style, represented by <The Love Parade>(1929) showed the golden age of first generation musical films in 1930's. After the Second World War, the addition of colors and bigger scales of movies boosted the development of musical films and created original musical films with new styles, such as <re American In Paris>n of1). which received the Academy Award. Also, Broadway hit musicals were made into movies, thereby becoming a more attractive factor for audiences. The musical film achieved an important position within the field of amusement movies while displaying a new and widely accepted style of expression for the contemporary. The 1950's was an era in which technological improvements brougy in confusion and changes. During the fusion process of color and black-and-white, the musical genre was the most firm movie genre to have accepted such process. The fthe most firm mo provided different visuals than ordinary movies, and displayed the charming and grangraise-en-scene which could not be experienced in performance arts. Hence, it was a period in which the movies started to gain a new style. Also, the 1950's was the time in which television sistem in America was formedn o48-52), and when the televisions were widely spread. In other words, people who had to move in order to see sights using vehicles were now able to conveniently watch televisions at home. On one hand, the survival of movies were being threatened by the appearance of televisions. On the other hand, the television was considered a means to popularize movies. In order to face such threat and change, the Hollywood started to work on sales both domestically and internationally. As the Hollywood extended its distribution network to foreign nations, various musical films entered the Korean market as well. Thus, the purpose of the present research is to investigate the unique narrative style of musical films by analyzing the narratives of famous musical films of this era.
    Hence, by observing the narratives and analyzing the background and scenes of <Singin' In The Rain>(1952), which was a representative film of 1950's, and <Guys And Dolls>(1955), it is the intention of the present paper to study the narrative style of musical films of 1950's.

    영어초록

    The musical film is a phrase which indicates movie composed of songs and dance routines. The musical is a genre based on operetta of Europe, and vaudeville of America. Hence, it is intrinsically called American or Hollywood musical.
    As the movie changed from silent movie to sound film, the field of musical improved with the growing importance of sound, which became an important method of expression. In United States, the review format, which was represented by <The Broadway Melody>(1929), and operetta style, represented by <The Love Parade>(1929) showed the golden age of first generation musical films in 1930's. After the Second World War, the addition of colors and bigger scales of movies boosted the development of musical films and created original musical films with new styles, such as <re American In Paris>n of1). which received the Academy Award. Also, Broadway hit musicals were made into movies, thereby becoming a more attractive factor for audiences. The musical film achieved an important position within the field of amusement movies while displaying a new and widely accepted style of expression for the contemporary. The 1950's was an era in which technological improvements brougy in confusion and changes. During the fusion process of color and black-and-white, the musical genre was the most firm movie genre to have accepted such process. The fthe most firm mo provided different visuals than ordinary movies, and displayed the charming and grangraise-en-scene which could not be experienced in performance arts. Hence, it was a period in which the movies started to gain a new style. Also, the 1950's was the time in which television sistem in America was formedn o48-52), and when the televisions were widely spread. In other words, people who had to move in order to see sights using vehicles were now able to conveniently watch televisions at home. On one hand, the survival of movies were being threatened by the appearance of televisions. On the other hand, the television was considered a means to popularize movies. In order to face such threat and change, the Hollywood started to work on sales both domestically and internationally. As the Hollywood extended its distribution network to foreign nations, various musical films entered the Korean market as well. Thus, the purpose of the present research is to investigate the unique narrative style of musical films by analyzing the narratives of famous musical films of this era.
    Hence, by observing the narratives and analyzing the background and scenes of <Singin' In The Rain>(1952), which was a representative film of 1950's, and <Guys And Dolls>(1955), it is the intention of the present paper to study the narrative style of musical films of 1950's.

    참고자료

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