『上海屋檐下』之创作新论 (On Creation of "Under the Roofs of Shanghai)

서지정보

· 발행기관 : 한국중어중문학회
· 수록지 정보 : 중어중문학 / 60호 / 149 ~ 160페이지
· 저자명 : 홍홍

초록

话剧研究界普遍认为话剧名作《上海屋檐下》是夏衍在“曹禺影响”下的“现实主义转变”之作。然而，这个来自夏衍本人1950年代的看法与该剧的创作实际并不吻合。《上海屋檐下》的创作，并非“曹禺影响”的产物，而是出于作者对于当时剧坛流行的“情节戏”和“服装戏”的“不服和反感”；它也非夏衍“现实主义转变”之作，而是他在《都会的一角》的现实主义基础上，“更沉潜地学习更写实的方法”的结晶。

영어초록

The drama study circles generally thought that the play named "Under the Roofs of Shanghai" by Xia Yan was a work changed to realism because of "the effect from Cao Yu". However, this view from Xia Yan himself in 1950's was not really consistent with the play. "Under the Roofs of Shanghai" was not a product effected by Cao Yu, but for the sake of the author disliking those popular "plot plays" and "costume plays" on the stages at that time; It was not also a signal of "realism change", but a masterpiece by Xia Yan for learning more in more realistic way on the basis of realistic work named "A Corner of City".

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