황순원의 시집 『방가』의 재탐색 (Reinterpretation of Hwang Sunwŏn’s Literary Collection, Singing Loudly)

서지정보

· 발행기관 : 한국어문학회
· 수록지 정보 : 어문학 / 135호 / 209 ~ 229페이지
· 저자명 : 강정구

초록

This article deals with the era of post－proletarianism in the early to mid 1930’s and explores Walt Whitman‘s influences on Hwang Sunwon’s literary collection entitled Pangga (Singing Loudly). Hwang Sunwon’s Singing Loudly has been discussed by researchers and scholars who viewed Hwang’s poems as the representation of nationalism, proletarianism, or anarchism.
This study intends to prove that Hwang Sunwon’s Singing Loudly is an example of literature revealing the ideas of post－proletarianism, and it also argues that more often than not the poems shows the influence of Walt Whitman, who insisted that all being has the real him/herself, and the real him/herself is anybody and all things.
In my analysis, I discuss the post－proleterian culture as the main literary streams of the early to mid 1930s. And then I analyze how Hwang Sunwon’s Singing Loudly is associated with Walt Whitman’s poems where the author articulates the importance of pure wills and emphasizes that the real him/herself and the object has real being or the real him/herself.
Conclusively, Hwang Sunwon’s Singing Loudly is one of the representative works embedded in post－proletarianism, and it was aimed tosearch for the natural being. The poems in the collection suggests some hints to the origin of Hwang Sunwon’s pursuit of pure literature (sunsu munhak).

영어초록

This article deals with the era of post－proletarianism in the early to mid 1930’s and explores Walt Whitman‘s influences on Hwang Sunwon’s literary collection entitled Pangga (Singing Loudly). Hwang Sunwon’s Singing Loudly has been discussed by researchers and scholars who viewed Hwang’s poems as the representation of nationalism, proletarianism, or anarchism.
This study intends to prove that Hwang Sunwon’s Singing Loudly is an example of literature revealing the ideas of post－proletarianism, and it also argues that more often than not the poems shows the influence of Walt Whitman, who insisted that all being has the real him/herself, and the real him/herself is anybody and all things.
In my analysis, I discuss the post－proleterian culture as the main literary streams of the early to mid 1930s. And then I analyze how Hwang Sunwon’s Singing Loudly is associated with Walt Whitman’s poems where the author articulates the importance of pure wills and emphasizes that the real him/herself and the object has real being or the real him/herself.
Conclusively, Hwang Sunwon’s Singing Loudly is one of the representative works embedded in post－proletarianism, and it was aimed tosearch for the natural being. The poems in the collection suggests some hints to the origin of Hwang Sunwon’s pursuit of pure literature (sunsu munhak).

참고자료

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