오장환 시에 나타난 기독교 의식 (The Christian Recognition Found in Oh, Jang- Hwan's Poetry)

서지정보

· 발행기관 : 한국비평문학회
· 수록지 정보 : 비평문학 / 28호 / 113 ~ 138페이지
· 저자명 : 신익호

초록

This article aims at exploring the christian aspects in Oh Jang- Hwan's poetry. First, the narrative motive of the parable of the Prodigal Son shows the recognition of rebirth and unconditional and limited love from a father. The love of the father who never discriminates two sons, means that Jesus's death is based on the infinite love toward all mankind. In "Again, Midangri" of which the motive is also the parable of Prodigal Son, the poet forms the universal emotion and feeling with widely known writing materials and focuses on the unlimited love of a mother. Avoiding the desperate reality by calling imaginary mother away from home, he finds his real mother and reveals the reminiscence.
Second, the ritual of a scapegoat throughout Jesus' cross, instead of offering the blood of an animal, means that the relationship between God and men was recovered. Men could be saved because Jesus accepted all of sufferings for men who must have died from the original sin. This ritual can be found in "Christmas" and "Song of Homecoming". The former implies the pity for the weak and the innocence of the eternal life. Mother deer's sacrifice is similar to that of a scapegoat and she suffers from the sin which doesn't belong to her but others.
Third, the original sin resulted from the greed that men could be equal to creator by eating the apple from tree of knowledge of good and evil. It is not related to men's own will and is inherited by destiny. It appears in "The Ominous song", "The Last Train" and "Hallelujah". As the mixture of strange and unusual images in "The Ominous song" causes alienation and embarrassment, the tragic attitude about the original sin is found. "The Last Train" expresses the present view on the world and self inner world and reflects the depth of recognition and despair about present conditions through the sorrowful cries and scream about tragic fate.

영어초록

This article aims at exploring the christian aspects in Oh Jang- Hwan's poetry. First, the narrative motive of the parable of the Prodigal Son shows the recognition of rebirth and unconditional and limited love from a father. The love of the father who never discriminates two sons, means that Jesus's death is based on the infinite love toward all mankind. In "Again, Midangri" of which the motive is also the parable of Prodigal Son, the poet forms the universal emotion and feeling with widely known writing materials and focuses on the unlimited love of a mother. Avoiding the desperate reality by calling imaginary mother away from home, he finds his real mother and reveals the reminiscence.
Second, the ritual of a scapegoat throughout Jesus' cross, instead of offering the blood of an animal, means that the relationship between God and men was recovered. Men could be saved because Jesus accepted all of sufferings for men who must have died from the original sin. This ritual can be found in "Christmas" and "Song of Homecoming". The former implies the pity for the weak and the innocence of the eternal life. Mother deer's sacrifice is similar to that of a scapegoat and she suffers from the sin which doesn't belong to her but others.
Third, the original sin resulted from the greed that men could be equal to creator by eating the apple from tree of knowledge of good and evil. It is not related to men's own will and is inherited by destiny. It appears in "The Ominous song", "The Last Train" and "Hallelujah". As the mixture of strange and unusual images in "The Ominous song" causes alienation and embarrassment, the tragic attitude about the original sin is found. "The Last Train" expresses the present view on the world and self inner world and reflects the depth of recognition and despair about present conditions through the sorrowful cries and scream about tragic fate.

참고자료

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